diff --git a/tests/cache/2400dpi/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin b/tests/cache/2400dpi/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin index fc70a631..86270f49 100644 Binary files a/tests/cache/2400dpi/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/2400dpi/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/2400dpi/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin b/tests/cache/2400dpi/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin index 61f78d82..16b617e5 100644 --- a/tests/cache/2400dpi/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin +++ b/tests/cache/2400dpi/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin @@ -1 +1 @@ -Tesseract Open Source OCR Engine v4.0.0 with Leptonica +Tesseract Open Source OCR Engine v4.1.1 with Leptonica diff --git a/tests/cache/3small/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin b/tests/cache/3small/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin index bb37acb2..1617a5b9 100644 Binary files a/tests/cache/3small/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/3small/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/3small/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin b/tests/cache/3small/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin index d4784957..16b617e5 100644 --- a/tests/cache/3small/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin +++ b/tests/cache/3small/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin @@ -1 +1 @@ -Tesseract Open Source OCR Engine v4.1.0 with Leptonica +Tesseract Open Source OCR Engine v4.1.1 with Leptonica diff --git a/tests/cache/3small/__-l__eng__000002_ocr.png__000002_ocr_tess__pdf__txt/pdf.bin b/tests/cache/3small/__-l__eng__000002_ocr.png__000002_ocr_tess__pdf__txt/pdf.bin index 2e6ae52c..71e9d0fd 100644 Binary files a/tests/cache/3small/__-l__eng__000002_ocr.png__000002_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/3small/__-l__eng__000002_ocr.png__000002_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/3small/__-l__eng__000002_ocr.png__000002_ocr_tess__pdf__txt/stderr.bin b/tests/cache/3small/__-l__eng__000002_ocr.png__000002_ocr_tess__pdf__txt/stderr.bin index d4784957..16b617e5 100644 --- a/tests/cache/3small/__-l__eng__000002_ocr.png__000002_ocr_tess__pdf__txt/stderr.bin +++ b/tests/cache/3small/__-l__eng__000002_ocr.png__000002_ocr_tess__pdf__txt/stderr.bin @@ -1 +1 @@ -Tesseract Open Source OCR Engine v4.1.0 with Leptonica +Tesseract Open Source OCR Engine v4.1.1 with Leptonica diff --git a/tests/cache/3small/__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt/pdf.bin b/tests/cache/3small/__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt/pdf.bin index 54fb87cb..71ee3be3 100644 Binary files a/tests/cache/3small/__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/3small/__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/3small/__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt/stderr.bin b/tests/cache/3small/__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt/stderr.bin index d4784957..16b617e5 100644 --- a/tests/cache/3small/__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt/stderr.bin +++ b/tests/cache/3small/__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt/stderr.bin @@ -1 +1 @@ -Tesseract Open Source OCR Engine v4.1.0 with Leptonica +Tesseract Open Source OCR Engine v4.1.1 with Leptonica diff --git a/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin b/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin index f9726b75..d9e82eb8 100644 --- a/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin +++ b/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin @@ -4,12 +4,12 @@
diff --git a/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/stderr.bin b/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/stderr.bin
index 61f78d82..16b617e5 100644
--- a/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/stderr.bin
+++ b/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/stderr.bin
@@ -1 +1 @@
-Tesseract Open Source OCR Engine v4.0.0 with Leptonica
+Tesseract Open Source OCR Engine v4.1.1 with Leptonica
diff --git a/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin b/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin
index 8f965ffd..4601a610 100644
Binary files a/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin differ
diff --git a/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin b/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin
index 61f78d82..16b617e5 100644
--- a/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin
+++ b/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin
@@ -1 +1 @@
-Tesseract Open Source OCR Engine v4.0.0 with Leptonica
+Tesseract Open Source OCR Engine v4.1.1 with Leptonica
diff --git a/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin b/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin
index b7414ebc..ac662824 100644
--- a/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin
+++ b/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin
@@ -4,19 +4,19 @@
-
+
The
LinnSequencer
-
+
32
Track
MIDI
@@ -27,27 +27,27 @@
-
+
The
- LinnSequencer
- is
+ LinnSequencer
+ is
a
state-of-the-art
composition
and
- performance
- tool
- for
+ performance
+ tool
+ for
the
professional
- musician.
- It
+ musician.
+ It
is
-
+
extremely
powerful,
yet
@@ -66,7 +66,7 @@
-
+
¢
Operation
is
@@ -81,18 +81,18 @@
RECORD,
FAST
-
+
FORWARD,
REWIND,
and
- LOCATE
- controls.
+ LOCATE
+ controls.
-
+
e
Each
of
@@ -108,7 +108,7 @@
track
may
-
+
be
assigned
to
@@ -135,7 +135,7 @@
-
+
¢
Ultra-fast
3%”
@@ -147,8 +147,8 @@
in
seconds
and
- holds
- over
+ holds
+ over
110,000
notes
@@ -164,23 +164,23 @@
-
+
¢
- One
- or
- all
+ One
+ or
+ all
tracks
may
be
- TRANSPOSED
- at
+ TRANSPOSED
+ at
the
touch
- of
- a
+ of
+ a
key.
-
+
e
Exclusive
real-time
@@ -190,7 +190,7 @@
editing
FAST.
-
+
*
Exclusive
REPEAT
@@ -216,11 +216,11 @@
-
+
¢
TIMING
- CORRECTION
- works
+ CORRECTION
+ works
during
playback
and
@@ -233,11 +233,11 @@
-
+
¢
Optional
- SMPTE
- time
+ SMPTE
+ time
code
synchronization.
@@ -278,9 +278,9 @@
then
play
your
- MIDI
- keyboard
- in
+ MIDI
+ keyboard
+ in
time
to
the
@@ -294,14 +294,14 @@
sequence
loops
back
- around
- to
- bar
- 1,
+ around
+ to
+ bar
+ 1,
- you’
- ll
+ you’
+ ll
hear
what
you
@@ -316,7 +316,7 @@
-
+
corrected!
(Timing
correction
@@ -343,8 +343,8 @@
track
- —
- existing
+ —
+ existing
notes
are
not
@@ -358,10 +358,10 @@
FAST
FORWARD,
- REWIND,
- and
- LOCATE
- controls
+ REWIND,
+ and
+ LOCATE
+ controls
may
@@ -385,8 +385,8 @@
To
overdub
a
- new
- part,
+ new
+ part,
select
@@ -401,8 +401,8 @@
record,
the
- first
- track
+ first
+ track
will
play
in
@@ -412,12 +412,12 @@
you
- MUTE
- it,
+ MUTE
+ it,
or
SOLO
- another
- track).
+ another
+ track).
In
this
way,
@@ -431,8 +431,8 @@
be
overdubbed!
All
- MIDI
- effects
+ MIDI
+ effects
are
recorded
@@ -440,8 +440,8 @@
including
pitch
bend,
- modulation,
- velocity,
+ modulation,
+ velocity,
aftertouch,
@@ -465,13 +465,13 @@
To
erase
a
- wrong
- note,
+ wrong
+ note,
simply
hold
- ERASE
- and
- press
+ ERASE
+ and
+ press
the
@@ -480,16 +480,16 @@
be
erased
just
- before
- it
+ before
+ it
plays
in
the
sequence—
- when
- played
+ when
+ played
back,
it
will
@@ -512,15 +512,15 @@
using
the
SINGLE
- STEP
- func-
+ STEP
+ func-
tion.
To
overdub
- notes
- at
+ notes
+ at
specific
points
within
@@ -544,10 +544,10 @@
use
LOCATE,
FAST
- FORWARD,
- or
- REWIND
- to
+ FORWARD,
+ or
+ REWIND
+ to
find
@@ -564,8 +564,8 @@
The
- INSERT/COPY
- function
+ INSERT/COPY
+ function
allows
you
to
@@ -580,8 +580,8 @@
another—in
the
same
- sequence
- or
+ sequence
+ or
a
@@ -603,15 +603,15 @@
between
the
second
- chorus
- and
- the
+ chorus
+ and
+ the
bridge.
DELETE
- BARS
- operates
+ BARS
+ operates
the
same
way
@@ -619,8 +619,8 @@
remove
- unwanted
- sections,
+ unwanted
+ sections,
One
- way
- to
+ way
+ to
create
a
- song
- is
+ song
+ is
to
record
each
@@ -657,8 +657,8 @@
999
bars).
Another
- way
- is
+ way
+ is
to
record
@@ -667,8 +667,8 @@
basic
section
(verse,
- chorus,
- etc.)
+ chorus,
+ etc.)
in
individual
@@ -678,8 +678,8 @@
use
the
CREATE
- SONG
- function
+ SONG
+ function
to
“chain”
@@ -687,14 +687,14 @@
them
together.
CREATE
- SONG
- will
+ SONG
+ will
then
automatically
- copy
- all
+ copy
+ all
the
parts
into
@@ -714,8 +714,8 @@
few
bars
to
- repeat
- infinitely,
+ repeat
+ infinitely,
for
a
fadeout.
@@ -757,8 +757,8 @@
the
- LinnSequencer
- is
+ LinnSequencer
+ is
designed
to
let
@@ -767,8 +767,8 @@
record
- and
- edit
+ and
+ edit
while
devoting
your
@@ -792,7 +792,7 @@
-
+
*
Simple,
easy
@@ -806,8 +806,8 @@
clearly
guides
you
- through
- all
+ through
+ all
operations.
If
needed,
@@ -818,8 +818,8 @@
- HELP
- button
+ HELP
+ button
displays
additional
explanations.
@@ -828,7 +828,7 @@
-
+
*
Non-destructive
recording—existing
@@ -839,14 +839,14 @@
while
recording.
-
+
¢
Two
FOOTSWITCH
- INPUTS
- may
- be
- assigned
+ INPUTS
+ may
+ be
+ assigned
to
remotely
control
@@ -873,12 +873,12 @@
-
+
¢
Iwo
TRIGGER
- OUTPUTS
- may
+ OUTPUTS
+ may
be
programmed
to
@@ -904,14 +904,14 @@
or
Linn
9000
- sync
- tone.
+ sync
+ tone.
-
+
©
Utilizes
ultra
@@ -927,17 +927,17 @@
FAST
operation.
-
+
*
- TEMPO
- may
- be
- specified
+ TEMPO
+ may
+ be
+ specified
in
BEATS-PER-MINUTE
or
- FRAMES-PER-BEAT
- at
+ FRAMES-PER-BEAT
+ at
24,
25,
or
@@ -959,11 +959,11 @@
-
+
¢
- TEMPO
- may
- be
+ TEMPO
+ may
+ be
entered
numerically,
adjustable
@@ -987,36 +987,36 @@
on
the
TAP
- TEMPO
- button.
+ TEMPO
+ button.
-
+
¢
TEMPO
- CHANGES
- may
+ CHANGES
+ may
be
- programmed
- into
+ programmed
+ into
a
sequence,
with
- smooth
- transitions
+ smooth
+ transitions
if
desired.
-
+
¢
Any
TIME
- SIGNATURE
- may
- be
+ SIGNATURE
+ may
+ be
used,
and
may
diff --git a/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/stderr.bin b/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/stderr.bin
index 61f78d82..16b617e5 100644
--- a/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/stderr.bin
+++ b/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/stderr.bin
@@ -1 +1 @@
-Tesseract Open Source OCR Engine v4.0.0 with Leptonica
+Tesseract Open Source OCR Engine v4.1.1 with Leptonica
diff --git a/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin b/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin
index 6e958fc5..ec8b419e 100644
Binary files a/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin differ
diff --git a/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin b/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin
index 61f78d82..16b617e5 100644
--- a/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin
+++ b/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin
@@ -1 +1 @@
-Tesseract Open Source OCR Engine v4.0.0 with Leptonica
+Tesseract Open Source OCR Engine v4.1.1 with Leptonica
diff --git a/tests/cache/cardinal/__-l__eng__000002_ocr.png__000002_ocr_hocr__hocr__txt/hocr.bin b/tests/cache/cardinal/__-l__eng__000002_ocr.png__000002_ocr_hocr__hocr__txt/hocr.bin
index 26dae60c..b8ce17c6 100644
--- a/tests/cache/cardinal/__-l__eng__000002_ocr.png__000002_ocr_hocr__hocr__txt/hocr.bin
+++ b/tests/cache/cardinal/__-l__eng__000002_ocr.png__000002_ocr_hocr__hocr__txt/hocr.bin
@@ -4,1059 +4,1059 @@
-
- The
- LinnSequencer
+
+
+
+
+ The
+ LinnSequencer
-
- 32
- Track
- MIDI
- Sequence
- Recorder
+
+ 32
+ Track
+ MIDI
+ Sequence
+ Recorder
-
- The
- LinnSequencer
- is
- a
- state-of-the-art
- composition
- and
- performance
- tool
- for
- the
- professional
- musician.
- It
- is
+
+
+ The
+ LinnSequencer
+ is
+ a
+ state-of-the-art
+ composition
+ and
+ performance
+ tool
+ for
+ the
+ professional
+ musician.
+ It
+ is
-
- extremely
- powerful,
- yet
- amazingly
- simple
- to
- learn
- and
- use.
- It’s
- many
- remarkable
- features
- include:
+
+
+ extremely
+ powerful,
+ yet
+ amazingly
+ simple
+ to
+ learn
+ and
+ use.
+ It’s
+ many
+ remarkable
+ features
+ include:
-
- ¢
- Operation
- is
- similar
- to
- multi-track
- tape
- recorder
- with
- PLAY,
- STOP,
- RECORD,
- FAST
+
+
+ ¢
+ Operation
+ is
+ similar
+ to
+ multi-track
+ tape
+ recorder
+ with
+ PLAY,
+ STOP,
+ RECORD,
+ FAST
-
- FORWARD,
- REWIND,
- and
- LOCATE
- controls.
+
+ FORWARD,
+ REWIND,
+ and
+ LOCATE
+ controls.
-
- e
- Each
- of
- the
- 100
- sequences
- contains
- 32
- simultaneous,
- polyphonic
- tracks.
- Each
- track
- may
+
+
+ e
+ Each
+ of
+ the
+ 100
+ sequences
+ contains
+ 32
+ simultaneous,
+ polyphonic
+ tracks.
+ Each
+ track
+ may
-
- be
- assigned
- to
- one
- of
- 16
- MIDI
- channels.
- Simultaneously
- plays
- up
- to
- 16
- polyphonic
+
+ be
+ assigned
+ to
+ one
+ of
+ 16
+ MIDI
+ channels.
+ Simultaneously
+ plays
+ up
+ to
+ 16
+ polyphonic
-
- synthesizers!
+
+
+ synthesizers!
-
- ¢
- Ultra-fast
- 3%”
- disk
- drive
- stores
- complex
- songs
- in
- seconds
- and
- holds
- over
- 110,000
- notes
+
+
+ ¢
+ Ultra-fast
+ 3%”
+ disk
+ drive
+ stores
+ complex
+ songs
+ in
+ seconds
+ and
+ holds
+ over
+ 110,000
+ notes
-
- per
- disk!
+
+
+ per
+ disk!
-
- ¢
- One
- or
- all
- tracks
- may
- be
- TRANSPOSED
- at
- the
- touch
- of
- a
- key.
+
+
+ ¢
+ One
+ or
+ all
+ tracks
+ may
+ be
+ TRANSPOSED
+ at
+ the
+ touch
+ of
+ a
+ key.
-
- e
- Exclusive
- real-time
- ERASE
- function
- makes
- editing
- FAST.
+
+ e
+ Exclusive
+ real-time
+ ERASE
+ function
+ makes
+ editing
+ FAST.
-
- *
- Exclusive
- REPEAT
- function
- automatically
- repeats
- any
- held
- notes
- at
- a
- pre-selected
+
+ *
+ Exclusive
+ REPEAT
+ function
+ automatically
+ repeats
+ any
+ held
+ notes
+ at
+ a
+ pre-selected
-
- rhythmic
- value.
+
+
+ rhythmic
+ value.
-
- ¢
- TIMING
- CORRECTION
- works
- during
- playback
- and
- operates
- without
- ‘chopping’
- notes.
+
+
+ ¢
+ TIMING
+ CORRECTION
+ works
+ during
+ playback
+ and
+ operates
+ without
+ ‘chopping’
+ notes.
-
- ¢
- Optional
- SMPTE
- time
- code
- synchronization.
+
+
+ ¢
+ Optional
+ SMPTE
+ time
+ code
+ synchronization.
-
- ©
- Optional
- remote
- control.
+
+
+ ©
+ Optional
+ remote
+ control.
-
- Recording
- a
- Sequence
+
+
+ Recording
+ a
+ Sequence
-
- To
- record
- a
- sequence,
- simply
- press
- RECORD
- and
- PLAY,
+
+
+ To
+ record
+ a
+ sequence,
+ simply
+ press
+ RECORD
+ and
+ PLAY,
-
- then
- play
- your
- MIDI
- keyboard
- in
- time
- to
- the
- Sequencer’s
+
+ then
+ play
+ your
+ MIDI
+ keyboard
+ in
+ time
+ to
+ the
+ Sequencer’s
-
- click
- track.
- When
- the
- sequence
- loops
- back
- around
- to
- bar
- 1,
+
+ click
+ track.
+ When
+ the
+ sequence
+ loops
+ back
+ around
+ to
+ bar
+ 1,
-
- you’
- ll
- hear
- what
- you
- played—only
- all
- timing
- errors
- will
- be
+
+ you’
+ ll
+ hear
+ what
+ you
+ played—only
+ all
+ timing
+ errors
+ will
+ be
-
- corrected!
- (Timing
- correction
- may
- be
- adjusted
- or
- defeated).
+
+
+ corrected!
+ (Timing
+ correction
+ may
+ be
+ adjusted
+ or
+ defeated).
-
- Any
- additional
- notes
- played
- will
- be
- added
- into
- the
- track
+
+
+ Any
+ additional
+ notes
+ played
+ will
+ be
+ added
+ into
+ the
+ track
-
- —
- existing
- notes
- are
- not
- erased
- while
- recording!
+
+ —
+ existing
+ notes
+ are
+ not
+ erased
+ while
+ recording!
-
- FAST
- FORWARD,
- REWIND,
- and
- LOCATE
- controls
+
+
+ FAST
+ FORWARD,
+ REWIND,
+ and
+ LOCATE
+ controls
-
- may
- be
- used
- at
- any
- time
- to
- quickly
- access
- any
- location
- in
+
+ may
+ be
+ used
+ at
+ any
+ time
+ to
+ quickly
+ access
+ any
+ location
+ in
-
- your
- sequence
- for
- spot-recording.
- To
- overdub
- a
- new
- part,
+
+ your
+ sequence
+ for
+ spot-recording.
+ To
+ overdub
+ a
+ new
+ part,
-
- select
- a
- different
- track
- and
- start
- recording—while
- you
+
+ select
+ a
+ different
+ track
+ and
+ start
+ recording—while
+ you
-
- record,
- the
- first
- track
- will
- play
- in
- perfect
- sync
- (unless
- you
+
+ record,
+ the
+ first
+ track
+ will
+ play
+ in
+ perfect
+ sync
+ (unless
+ you
-
- MUTE
- it,
- or
- SOLO
- another
- track).
- In
- this
- way,
- up
- to
- 32
+
+ MUTE
+ it,
+ or
+ SOLO
+ another
+ track).
+ In
+ this
+ way,
+ up
+ to
+ 32
-
- tracks
- may
- be
- overdubbed!
- All
- MIDI
- effects
- are
- recorded
+
+ tracks
+ may
+ be
+ overdubbed!
+ All
+ MIDI
+ effects
+ are
+ recorded
-
- including
- pitch
- bend,
- modulation,
- velocity,
- aftertouch,
+
+ including
+ pitch
+ bend,
+ modulation,
+ velocity,
+ aftertouch,
-
- sustain
- pedal,
- and
- program
- changes!
+
+ sustain
+ pedal,
+ and
+ program
+ changes!
-
- Editing
+
+
+ Editing
-
- To
- erase
- a
- wrong
- note,
- simply
- hold
- ERASE
- and
- press
+
+
+ To
+ erase
+ a
+ wrong
+ note,
+ simply
+ hold
+ ERASE
+ and
+ press
-
- the
- note
- to
- be
- erased
- just
- before
- it
- plays
- in
- the
- sequence—
+
+ the
+ note
+ to
+ be
+ erased
+ just
+ before
+ it
+ plays
+ in
+ the
+ sequence—
-
- when
- played
- back,
- it
- will
- be
- gone.
- Notes
- may
- also
- be
+
+ when
+ played
+ back,
+ it
+ will
+ be
+ gone.
+ Notes
+ may
+ also
+ be
-
- added,
- erased,
- or
- changed
- using
- the
- SINGLE
- STEP
- func-
+
+
+ added,
+ erased,
+ or
+ changed
+ using
+ the
+ SINGLE
+ STEP
+ func-
-
- tion.
- To
- overdub
- notes
- at
- specific
- points
- within
- a
- sequence,
+
+ tion.
+ To
+ overdub
+ notes
+ at
+ specific
+ points
+ within
+ a
+ sequence,
-
- Additional
- Features
+
+
+ Additional
+ Features
-
- simply
- use
- LOCATE,
- FAST
- FORWARD,
- or
- REWIND
- to
+
+
+ simply
+ use
+ LOCATE,
+ FAST
+ FORWARD,
+ or
+ REWIND
+ to
-
- find
- the
- desired
- bar
- number,
- then
- start
- recording.
+
+ find
+ the
+ desired
+ bar
+ number,
+ then
+ start
+ recording.
-
- The
- INSERT/COPY
- function
- allows
- you
- to
- move
- bars
+
+
+ The
+ INSERT/COPY
+ function
+ allows
+ you
+ to
+ move
+ bars
-
- from
- one
- location
- to
- another—in
- the
- same
- sequence
- or
- a
+
+ from
+ one
+ location
+ to
+ another—in
+ the
+ same
+ sequence
+ or
+ a
-
- different
- one.
- For
- example,
- you
- might
- insert
- a
- copy
- of
- the
+
+ different
+ one.
+ For
+ example,
+ you
+ might
+ insert
+ a
+ copy
+ of
+ the
-
- first
- verse
- between
- the
- second
- chorus
- and
- the
- bridge.
+
+ first
+ verse
+ between
+ the
+ second
+ chorus
+ and
+ the
+ bridge.
-
- DELETE
- BARS
- operates
- the
- same
- way
- to
- remove
+
+ DELETE
+ BARS
+ operates
+ the
+ same
+ way
+ to
+ remove
-
- unwanted
- sections,
+
+ unwanted
+ sections,
-
- Creating
- a
- Song
+
+
+ Creating
+ a
+ Song
-
- One
- way
- to
- create
- a
- song
- is
- to
- record
- each
- track
- all
- the
+
+
+ One
+ way
+ to
+ create
+ a
+ song
+ is
+ to
+ record
+ each
+ track
+ all
+ the
-
- way
- through
- (up
- to
- 999
- bars).
- Another
- way
- is
- to
- record
+
+ way
+ through
+ (up
+ to
+ 999
+ bars).
+ Another
+ way
+ is
+ to
+ record
-
- each
- basic
- section
- (verse,
- chorus,
- etc.)
- in
- individual
+
+ each
+ basic
+ section
+ (verse,
+ chorus,
+ etc.)
+ in
+ individual
-
- sequences,
- then
- use
- the
- CREATE
- SONG
- function
- to
- “chain”
+
+ sequences,
+ then
+ use
+ the
+ CREATE
+ SONG
+ function
+ to
+ “chain”
-
- them
- together.
- CREATE
- SONG
- will
- then
- automatically
+
+ them
+ together.
+ CREATE
+ SONG
+ will
+ then
+ automatically
-
- copy
- all
- the
- parts
- into
- a
- new
- sequence.
- If
- desired,
- you
- can
+
+ copy
+ all
+ the
+ parts
+ into
+ a
+ new
+ sequence.
+ If
+ desired,
+ you
+ can
-
- even
- set
- the
- last
- few
- bars
- to
- repeat
- infinitely,
- for
- a
- fadeout.
+
+ even
+ set
+ the
+ last
+ few
+ bars
+ to
+ repeat
+ infinitely,
+ for
+ a
+ fadeout.
-
- Composition
- Without
- Compromise
+
+
+ Composition
+ Without
+ Compromise
-
- The
- technology
- you
- use
- should
- never
- be
- so
- complex
- that
+
+
+ The
+ technology
+ you
+ use
+ should
+ never
+ be
+ so
+ complex
+ that
-
- it
- interferes
- with
- the
- creative
- process.
- That’s
- precisely
- why
+
+ it
+ interferes
+ with
+ the
+ creative
+ process.
+ That’s
+ precisely
+ why
-
- the
- LinnSequencer
- is
- designed
- to
- let
- you
- compose,
- record
+
+ the
+ LinnSequencer
+ is
+ designed
+ to
+ let
+ you
+ compose,
+ record
-
- and
- edit
- while
- devoting
- your
- undivided
- attention
- to
- your
+
+ and
+ edit
+ while
+ devoting
+ your
+ undivided
+ attention
+ to
+ your
-
- music.
- See
- your
- Linn
- dealer
- today
- for
- a
- demonstration!
+
+ music.
+ See
+ your
+ Linn
+ dealer
+ today
+ for
+ a
+ demonstration!
-
- *
- Simple,
- easy
- to
- learn
- operation—the
- 32
- character
- LCD
- display
- clearly
- guides
- you
- through
- all
- operations.
- If
- needed,
- the
+
+
+ *
+ Simple,
+ easy
+ to
+ learn
+ operation—the
+ 32
+ character
+ LCD
+ display
+ clearly
+ guides
+ you
+ through
+ all
+ operations.
+ If
+ needed,
+ the
-
- HELP
- button
- displays
- additional
- explanations.
+
+
+ HELP
+ button
+ displays
+ additional
+ explanations.
-
- *
- Non-destructive
- recording—existing
- notes
- are
- not
- erased
- while
- recording.
+
+
+ *
+ Non-destructive
+ recording—existing
+ notes
+ are
+ not
+ erased
+ while
+ recording.
-
- ¢
- Two
- FOOTSWITCH
- INPUTS
- may
- be
- assigned
- to
- remotely
- control
- many
- of
- the
- commonly
- used
- functions,
- including
+
+ ¢
+ Two
+ FOOTSWITCH
+ INPUTS
+ may
+ be
+ assigned
+ to
+ remotely
+ control
+ many
+ of
+ the
+ commonly
+ used
+ functions,
+ including
-
- ERASE,
- REPEAT,
- PLAY/STOP,
- or
- LOCATE.
+
+
+ ERASE,
+ REPEAT,
+ PLAY/STOP,
+ or
+ LOCATE.
-
- ¢
- Iwo
- TRIGGER
- OUTPUTS
- may
- be
- programmed
- to
- output
- pulses
- at
- any
- selected
- note
- value.
+
+
+ ¢
+ Iwo
+ TRIGGER
+ OUTPUTS
+ may
+ be
+ programmed
+ to
+ output
+ pulses
+ at
+ any
+ selected
+ note
+ value.
-
- ©
- Will
- sync
- to
- standard
- LinnDrum
- or
- Linn
- 9000
- sync
- tone.
+
+
+ ©
+ Will
+ sync
+ to
+ standard
+ LinnDrum
+ or
+ Linn
+ 9000
+ sync
+ tone.
-
- ©
- Utilizes
- ultra
- high-speed,
- 8
- MHz
- 80186
- 16
- bit
- computer
- internally
- for
- FAST
- operation.
+
+
+ ®
+ Utilizes
+ ultra
+ high-speed,
+ 8
+ MHz
+ 80186
+ 16
+ bit
+ computer
+ internally
+ for
+ FAST
+ operation.
-
- *
- TEMPO
- may
- be
- specified
- in
- BEATS-PER-MINUTE
- or
- FRAMES-PER-BEAT
- at
- 24,
- 25,
- or
- 30
- frames
- per
- second,
+
+ *
+ TEMPO
+ may
+ be
+ specified
+ in
+ BEATS-PER-MINUTE
+ or
+ FRAMES-PER-BEAT
+ at
+ 24,
+ 25,
+ or
+ 30
+ frames
+ per
+ second,
-
- (even
- drop
- frame!)
+
+
+ (even
+ drop
+ frame!)
-
- ¢
- TEMPO
- may
- be
- entered
- numerically,
- adjustable
- in
- tenths
- of
- a
- Beat-Per-Minute
- increments,
- or
- by
- tapping
- quarter
- notes
+
+
+ ¢
+ TEMPO
+ may
+ be
+ entered
+ numerically,
+ adjustable
+ in
+ tenths
+ of
+ a
+ Beat-Per-Minute
+ increments,
+ or
+ by
+ tapping
+ quarter
+ notes
-
- on
- the
- TAP
- TEMPO
- button.
+
+
+ on
+ the
+ TAP
+ TEMPO
+ button.
-
- ¢
- TEMPO
- CHANGES
- may
- be
- programmed
- into
- a
- sequence,
- with
- smooth
- transitions
- if
- desired.
+
+
+ ¢
+ TEMPO
+ CHANGES
+ may
+ be
+ programmed
+ into
+ a
+ sequence,
+ with
+ smooth
+ transitions
+ if
+ desired.
-
- ¢
- Any
- TIME
- SIGNATURE
- may
- be
- used,
- and
- may
- be
- changed
- within
- a
- song.
+
+ ¢
+ Any
+ TIME
+ SIGNATURE
+ may
+ be
+ used,
+ and
+ may
+ be
+ changed
+ within
+ a
+ song.
-
- linn
-
-
- Linn
- Electronics,
- Inc.
+
+
+ nn
-
- 18720
- Oxnard
- Street,
- Tarzana,
- CA
- 91356
+
+
+ Linn
+ Electronics,
+ Inc.
-
- (818)
- 708-8131
- TELEX
- #298949
- LINN
- UR
+
+ 18720
+ Oxnard
+ Street,
+ Tarzana,
+ CA
+ 91356
+
+
+ (818)
+ 708-8131
+ TELEX
+ #298949
+ LINN
+ UR
-
- The
- LinnSequencer
-
-
- 32
- Track
- MIDI
- Sequence
- Recorder
+
+
+
+
+ 2A
+ NNI‘I
+ 6F6867#
+ XATALL
+ IE18-80L
+ (818)
-
- The
- LinnSequencer
- is
- a
- state-of-the-art
- composition
- and
- performance
- tool
- for
- the
- professional
- musician.
- It
- is
+
+
+ 9SEI6
+ VO
+ “BUBZIRY,
+ “J0aNS
+ PIPUXO
+ OZLEI
+
+
+ “Uy
+ ‘soTUOMOI,q
+ UUrT
+
+
+
+ uut]
+
+
+
+ “‘SUOS
+ B
+ UIJIM
+ pasueyo
+ oq
+ ABU
+ pue
+ ‘posn
+ oq
+ AWW
+ AYN
+ IVNOIS
+ AWLL
+ AUV
+
+
+ “parlsop
+ Jr
+ SUOTIISUBI}
+ YIOOUIS
+ YIM
+ “BoueNbas
+ eB
+ OJUI
+ pourtueIZOId
+ 9q
+ ABU
+ SFONWHO
+ OdINAL
+ e
+
+
+
+ ‘uonng
+ OdNAL
+ dV
+ L
+ 9)
+ uO
+
+
+
+ sojou
+ Jayienb
+ Suiddy}
+ Aq
+ 10
+ ‘syUSTIOIOUI
+ oINUTIAI-J8g-Jesg
+ &
+ JO
+ sys}
+ UL
+ ofquisn(pe
+ ‘ATTeouIAUINU
+ paiajus
+ oq
+ ABU
+ OdINALL
+ e
+
+
+
+ (jouer
+ doup
+ u3a9)
+
+
+
+ “puooes
+ Jed
+ souely
+ O€
+ 10
+ “SZ
+ “pz
+ 18
+ [LVAG-MAd-SHN
+ VU
+ 10
+ ALOANIWAAd-SLVAd
+ U!
+ patyoeds
+ aq
+ kewl
+ OAL
+ «
+
+
+ ‘uoTe1odo
+ [SVx
+ JO}
+ Aj[eusoyUT
+ JoyndUIOd
+ 11g
+ 9]
+ 98108
+ ZHI
+ 8g
+ ‘poeds-ysry
+ Bann
+ soz]
+ e
+
+
+
+ "9U0}
+ DUAS
+ 0006
+ UUL]
+ Jo
+ wNIqUUr]
+ prepue}s
+ 0}
+ OUAS
+ [ITAA
+ ©
+
+
+
+ “ONYBA
+ 9}OU
+ poloapes
+ Aue
+ Je
+ sas—nd
+ jndyno
+ 07
+ pewureigold
+ 3q
+ ACW
+ SL
+ Ad
+ LNO
+ YADONAL
+ OML
+
+
+
+ "ALVOOT
+ 10
+ GOLS/AV
+ 1d
+ ‘LWddad
+ “ASV
+
+
+
+ SUIpNpoUr
+ ‘suOTIOUN]
+ posn
+ A[UOUILUOS
+ 94]
+ JO
+ AUBUT
+ [O1]UOD
+ AJ9]OWIAI
+ 0}
+ PousIsse
+ oq
+ ACUI
+ ST
+ AdNI
+ HOLIMSLOO
+ OME
+ «
+
+
+ “SUIPIONAI
+ I[IYM
+ P2sesd
+ JOU
+ Iv
+ $3}OU
+ BUTISIXO—ZUIPIOIA
+ SATON.ASOP-UON
+
+
+
+ ‘suoneurldxa
+ peuoyippe
+ sdeydsip
+ uowng
+ g1TqH
+
+
+
+ oy]
+ ‘pepsau
+ JI
+ ‘suoneiodo
+ [ye
+ yYsnosy]
+ NOA
+ sapins
+ ApIespo
+ Avfdsip
+ QO]
+ Joey
+ Z7¢
+ 9y3—uoeIodo
+ Urea]
+ 0}
+ Ased
+ ‘aus
+ «
+
+
+
+ jUorel]suowtap
+ &
+ IO}
+ Aepol
+ Jayeap
+ uur’]
+ INOA
+ dag
+ ‘dISHUL
+
+
+ INOA
+ 0}
+ UONUS}]¥
+ PaplAIPUN
+ INOA
+ SUTJOASp
+ ITY
+ ps
+ pue
+
+
+ p1osai
+ ‘asoduod
+ no
+ Jay
+ 0}
+ pausisap
+ st
+ 1s0uenbesuur’]
+ oy)
+
+
+ Aum
+ Aposiooid
+ $,Jeu],
+ ‘SS9d0Id
+ SATTBS1D
+ OY}
+ YIM
+ SOIOJIOIUT
+
+
+ yey)
+ xo]dwWI0d
+ Os
+ dq
+ JOA9U
+ P[NoUsS
+ osn
+ NOA
+ AZopOuYdE}
+ oy
+
+
+
+ ISTUMOIAUIO?)
+ NOAA
+ UOHISOdWIO)
+
+
+
+ "NOSpr]
+ B
+ Oy
+ ‘AONUTJUT
+ yada
+ 0}
+ seq
+ Maz
+ Se]
+ BY]
+ Jas
+ UdAd
+
+
+ uvd
+ NOA
+ ‘palisap
+ JJ
+ ‘souanbes
+ Mou
+ ¥B
+ OVUT
+ sjied
+ ou]
+ [Te
+ Adoo
+
+
+ ATesrewO
+ Ne
+ WI)
+ [IM
+ ONOS
+ ALVAAO
+ JeyIe80}
+ wey}
+
+
+ ,deyd,,
+ 0}
+ UOTOUNJ
+ ONOS
+ ALVA
+ ou]
+ asn
+ usy]
+ ‘saouanbes
+
+
+ JENPIAIpUt
+ UI
+ (“949
+ ‘snJOYD
+ ‘aS1OA)
+ UOTIDIS
+ JIseq
+ Yes
+
+
+ Pl0da1
+ OF
+ ST
+ ABM
+ JOuIOUY
+ “(812g
+ 666
+ 01
+ dn)
+ ysnory)
+ ABM
-
- extremely
- powerful,
- yet
- amazingly
- simple
- to
- learn
- and
- use.
- It’s
- many
- remarkable
- features
- include:
+
+
+ dU}
+ [fe
+ YORI]
+ YORs
+ p10991
+ 0}
+ ST
+ SUOS
+ B
+ 9789I9
+ 0}
+ ABM
+ SUG,
+
+
+
+ SUOS
+ &
+ SUTVAID
+
+
+
+ *suoT}oes
+ poJUBMUN
-
- ¢
- Operation
- is
- similar
- to
- multi-track
- tape
- recorder
- with
- PLAY,
- STOP,
- RECORD,
- FAST
-
-
- FORWARD,
- REWIND,
- and
- LOCATE
- controls.
-
-
-
- e
- Each
- of
- the
- 100
- sequences
- contains
- 32
- simultaneous,
- polyphonic
- tracks.
- Each
- track
- may
-
-
- be
- assigned
- to
- one
- of
- 16
- MIDI
- channels.
- Simultaneously
- plays
- up
- to
- 16
- polyphonic
-
-
-
- synthesizers!
-
-
-
- ¢
- Ultra-fast
- 3%”
- disk
- drive
- stores
- complex
- songs
- in
- seconds
- and
- holds
- over
- 110,000
- notes
-
-
-
- per
- disk!
-
-
-
- ¢
- One
- or
- all
- tracks
- may
- be
- TRANSPOSED
- at
- the
- touch
- of
- a
- key.
-
-
- e
- Exclusive
- real-time
- ERASE
- function
- makes
- editing
- FAST.
-
-
- *
- Exclusive
- REPEAT
- function
- automatically
- repeats
- any
- held
- notes
- at
- a
- pre-selected
-
-
-
- rhythmic
- value.
-
-
-
- ¢
- TIMING
- CORRECTION
- works
- during
- playback
- and
- operates
- without
- ‘chopping’
- notes.
-
-
-
- ¢
- Optional
- SMPTE
- time
- code
- synchronization.
-
-
-
- ©
- Optional
- remote
- control.
-
-
-
- Recording
- a
- Sequence
+
+
+ SAOUIOI
+ 0}
+ ABM
+ SWS
+ dU}
+ SoyeIodo
+ SUV
+ ALATAaG
-
- To
- record
- a
- sequence,
- simply
- press
- RECORD
- and
- PLAY,
-
-
- then
- play
- your
- MIDI
- keyboard
- in
- time
- to
- the
- Sequencer’s
-
-
- click
- track.
- When
- the
- sequence
- loops
- back
- around
- to
- bar
- 1,
-
-
- you’
- ll
- hear
- what
- you
- played—only
- all
- timing
- errors
- will
- be
-
-
-
- corrected!
- (Timing
- correction
- may
- be
- adjusted
- or
- defeated).
-
-
-
- Any
- additional
- notes
- played
- will
- be
- added
- into
- the
- track
-
-
- —
- existing
- notes
- are
- not
- erased
- while
- recording!
+
+
+ “OBPLIq
+ dy}
+ PUB
+ SNIOY
+ PUOdAS
+ dT]]
+ Ud9MIAQ
+ SIDA
+ ISI
-
- FAST
- FORWARD,
- REWIND,
- and
- LOCATE
- controls
-
-
- may
- be
- used
- at
- any
- time
- to
- quickly
- access
- any
- location
- in
-
-
- your
- sequence
- for
- spot-recording.
- To
- overdub
- a
- new
- part,
-
-
- select
- a
- different
- track
- and
- start
- recording—while
- you
-
-
- record,
- the
- first
- track
- will
- play
- in
- perfect
- sync
- (unless
- you
-
-
- MUTE
- it,
- or
- SOLO
- another
- track).
- In
- this
- way,
- up
- to
- 32
-
-
- tracks
- may
- be
- overdubbed!
- All
- MIDI
- effects
- are
- recorded
-
-
- including
- pitch
- bend,
- modulation,
- velocity,
- aftertouch,
-
-
- sustain
- pedal,
- and
- program
- changes!
-
-
-
- Editing
+
+
+ ay)
+ Jo
+ Adoo
+ B
+ JJasuT
+ WYSE
+ NOAA
+ ‘afdwexs
+ 10.f
+ ‘UO
+ JUSIN]JIP
-
- To
- erase
- a
- wrong
- note,
- simply
- hold
- ERASE
- and
- press
+
+
+ B
+ IO
+ aouaNbas
+ sues
+ OY}
+ UI—JOY
+ OUP
+ 0}
+ UOTIEIO]
+ 9UO
+ WOT]
-
- the
- note
- to
- be
- erased
- just
- before
- it
- plays
- in
- the
- sequence—
-
-
- when
- played
- back,
- it
- will
- be
- gone.
- Notes
- may
- also
- be
-
-
-
- added,
- erased,
- or
- changed
- using
- the
- SINGLE
- STEP
- func-
-
-
- tion.
- To
- overdub
- notes
- at
- specific
- points
- within
- a
- sequence,
-
-
-
- Additional
- Features
-
-
-
- simply
- use
- LOCATE,
- FAST
- FORWARD,
- or
- REWIND
- to
-
-
- find
- the
- desired
- bar
- number,
- then
- start
- recording.
+
+ $1Bq
+ JAOUI
+ OF
+ NOA
+ sMOTIe
+ WOTIOUNS
+ AdOO/IMASNI
+ OULL
-
- The
- INSERT/COPY
- function
- allows
- you
- to
- move
- bars
-
-
- from
- one
- location
- to
- another—in
- the
- same
- sequence
- or
- a
-
-
- different
- one.
- For
- example,
- you
- might
- insert
- a
- copy
- of
- the
-
-
- first
- verse
- between
- the
- second
- chorus
- and
- the
- bridge.
-
-
- DELETE
- BARS
- operates
- the
- same
- way
- to
- remove
-
-
- unwanted
- sections,
-
-
-
- Creating
- a
- Song
+
+
+ ‘SUIPIONAI
+ JIVIS
+ Udy)
+ “OQuINU
+ eq
+ porisop
+ ay}
+ puy
-
- One
- way
- to
- create
- a
- song
- is
- to
- record
- each
- track
- all
- the
-
-
- way
- through
- (up
- to
- 999
- bars).
- Another
- way
- is
- to
- record
-
-
- each
- basic
- section
- (verse,
- chorus,
- etc.)
- in
- individual
-
-
- sequences,
- then
- use
- the
- CREATE
- SONG
- function
- to
- “chain”
-
-
- them
- together.
- CREATE
- SONG
- will
- then
- automatically
-
-
- copy
- all
- the
- parts
- into
- a
- new
- sequence.
- If
- desired,
- you
- can
-
-
- even
- set
- the
- last
- few
- bars
- to
- repeat
- infinitely,
- for
- a
- fadeout.
+
+
+ 0}
+ CNIMAY
+ 10
+ ‘CYVM
+ Od
+ LSWA
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+ esn
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-
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+
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+ $9100
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+
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+ 24)
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+
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+
+
+ —aouanbas
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+ ul
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+ 71
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+ d]0U
+ ayy
+
+
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+
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+
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+
+
+ pep10del
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+ *(foeI}
+ JOyOUR
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+ 10
+ ALLAN
+
+
+ NOA
+ ssofum)
+ duAS
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+ ul
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+ Yow]
+ ISI
+ 93
+ “prooar
+
+
+ NOA
+ 3[IYM—SUIPIOIA
+ LIBIS
+ PU
+ YORI)
+ TUdIOTJIP
+ B
+ JOaTas
+
+
+ *y1ed
+ MOU
+ B
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+ OL,
+ “SuIps0daJ-jods
+ 10}
+ aouanbes
+ mno0k
+
+
+ UI
+ UOHBIO]
+ Aue
+ ssad0e
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+ 0}
+ owt}
+ Aue
+ ye
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+ AvUE
+
+
+ SJONUOD
+ FLIVOOT
+ pur
+ ‘ANIMA
+ ‘CYVMaYOd
+ LSVd
+
+
+ {SUIPIOSAI
+ {IY
+ posesa
+ JOU
+ se
+ So]OU
+ SuTsTXO—
+
+
+ yous}
+ 3U}
+ OUT
+ poppe
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+ JIM
+ poteyd
+ sajou
+ yeuonippe
+ Auy
+
+
+
+ *(povesjap
+ 10
+ poysn{pe
+ oq
+ ABW
+ UOTIIII0D
+ BUTUTT])
+ j{paqoeLI09
+
+
+
+ 2q
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+ Sur
+ [fe
+ ATUO—patey]d
+ nod
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+ ]],NOA
-
- The
- technology
- you
- use
- should
- never
- be
- so
- complex
- that
+
+
+ ‘]
+ req
+ 0]
+ punose
+ yoeq
+ sdoo]
+ sduanbas
+ ay]
+ Udy
+ AA
+ “YOu
+ Yor
-
- it
- interferes
- with
- the
- creative
- process.
- That’s
- precisely
- why
+
+
+ §,sa0uaNbas
+ at}
+ O]
+ SUIT)
+ UI
+ preogday
+ [IW]
+ INO
+ Avy
+ usy3
-
- the
- LinnSequencer
- is
- designed
- to
- let
- you
- compose,
- record
-
-
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- devoting
- your
- undivided
- attention
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- your
-
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- See
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- dealer
- today
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- demonstration!
+
+ AV'1d
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+ ‘aousnbes
+ &
+ p1o09es
+ OF,
-
- *
- Simple,
- easy
- to
- learn
- operation—the
- 32
- character
- LCD
- display
- clearly
- guides
- you
- through
- all
- operations.
- If
- needed,
- the
+
+
+ g0uaNbas
+ &
+ SUIP10I0y]
-
- HELP
- button
- displays
- additional
- explanations.
+
+
+ ‘JONWOD
+ s}JouNaI
+ TeuONdGO
+ e
-
- *
- Non-destructive
- recording—existing
- notes
- are
- not
- erased
- while
- recording.
-
-
- ¢
- Two
- FOOTSWITCH
- INPUTS
- may
- be
- assigned
- to
- remotely
- control
- many
- of
- the
- commonly
- used
- functions,
- including
+
+
+ "UOTJEZIUOIYUAS
+ OPOS
+ UIT}
+ FLAWS
+ [euondo
+ e
-
- ERASE,
- REPEAT,
- PLAY/STOP,
- or
- LOCATE.
+
+
+ ‘sou
+ .sulddoys,
+ noyyM
+ sayelodo
+ pue
+ yoegdvyd
+ ZuLINp
+ S¥IOM
+ NOLLOANNYOO
+ ONIWILL
+ e
-
- ¢
- Iwo
- TRIGGER
- OUTPUTS
- may
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- programmed
- to
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- pulses
- at
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- selected
- note
- value.
+
+
+ ‘onqea
+ ory
+ AY
-
- ©
- Will
- sync
- to
- standard
- LinnDrum
- or
- Linn
- 9000
- sync
- tone.
+
+
+ pojoojes-oid
+ &
+ ye
+ sajou
+ pyoy
+ Aue
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+ ATTeONewWO
+ Ne
+ UOTOUNS
+ [WAdAY
+ OAISNOX
+ e
+
+
+ ‘LSVJ
+ SUnIpS
+ soyeu
+ UOTOUN
+ ASV
+ UA
+ OUlN-[eal
+ SAISNIOXY
+ e
+
+
+ ‘Koy
+ B
+ JO
+ YONO}
+ 941
+ 12
+ CASOdSNVALL
+ 0g
+ ABU
+ Syde]
+ [Te
+ 10
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+ e
-
- ©
- Utilizes
- ultra
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- 8
- MHz
- 80186
- 16
- bit
- computer
- internally
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- FAST
- operation.
-
-
- *
- TEMPO
- may
- be
- specified
- in
- BEATS-PER-MINUTE
- or
- FRAMES-PER-BEAT
- at
- 24,
- 25,
- or
- 30
- frames
- per
- second,
+
+
+ i
+ ASIP
+ Jed
-
- (even
- drop
- frame!)
+
+
+ S9}0U
+ OOO‘OTT
+ JOA
+ SpfOy
+ puv
+ SpUOdeS
+ UT
+ SBUOS
+ Xa[AUIOD
+ So10}S
+ DALIP
+ YSIP
+ ,
+ 74
+ €
+ ISCJ-CNIN
-
- ¢
- TEMPO
- may
- be
- entered
- numerically,
- adjustable
- in
- tenths
- of
- a
- Beat-Per-Minute
- increments,
- or
- by
- tapping
- quarter
- notes
+
+
+ jSIOZISOUJUAS
-
- on
- the
- TAP
- TEMPO
- button.
+
+
+ stuoydAjod
+ of
+ 0}
+ dn
+ skeyd
+ A[snoourynuls
+ ‘spouueYd
+ [IW
+ 9T
+ JO
+ duo
+ 0}
+ pousisse
+ oq
+
+
+ ABUL
+ YORI]
+ YOR
+ ‘syous)
+ oruoydAjod
+ ‘snoouelnurs
+ 7¢
+ SuTeJUOS
+ ssouUaNbas
+ QO]
+ OY}
+ JO
+ YORA
+ e
-
- ¢
- TEMPO
- CHANGES
- may
- be
- programmed
- into
- a
- sequence,
- with
- smooth
- transitions
- if
- desired.
+
+
+ ‘SJONUOS
+ ATWOOT
+ pur
+ ‘GNIMAY
+ ‘GaVM
+ OA
-
- ¢
- Any
- TIME
- SIGNATURE
- may
- be
- used,
- and
- may
- be
- changed
- within
- a
- song.
+
+ LSVd
+ ‘GYOOde
+ AOLS
+ ‘AV
+ Td
+ YIM
+ Jopsocas
+ ade}
+ Yowsj-N[NU
+ O}
+ eps
+ st
+ UOTLISdO
+ @
+
+
+ LOPNOUT
+ SaINjeoy
+ s[quyIeUlss
+ AUB
+ S.JJ
+ ‘OSN
+ pue
+ UIes]
+ 0}
+ o[duns
+ A[suIzeUe
+ JOA
+ ‘PnJsomod
+ APOUIOITXO
+
+
+ St
+ 1]
+ “UeIOIsNUL
+ feUOIssajoid
+ oY}
+ 10
+ JOO}
+ soUBULIOJIJAd
+ pue
+ UOTIsOduIOS
+ 11e-dY1-JO-9}e)s
+ B
+ SI
+ IONUANbDaguUT]
+ ay
-
- linn
+
+
+ JOps1odady
+ soUINbIS
+ [GTI
+ YVAL
+ ZE
-
- Linn
- Electronics,
- Inc.
-
-
-
- 18720
- Oxnard
- Street,
- Tarzana,
- CA
- 91356
-
-
- (818)
- 708-8131
- TELEX
- #298949
- LINN
- UR
+
+ Jgouanbaguury
+ oy
-
- The
- LinnSequencer
-
-
- 32
- Track
- MIDI
- Sequence
- Recorder
+
+
+
+
+ 2A
+ NNI‘I
+ 6F6867#
+ XATALL
+ IE18-80L
+ (818)
-
- The
- LinnSequencer
- is
- a
- state-of-the-art
- composition
- and
- performance
- tool
- for
- the
- professional
- musician.
- It
- is
+
+
+ 9SEI6
+ VO
+ “BUBZIRY,
+ “J0aNS
+ PIPUXO
+ OZLEI
+
+
+ “Uy
+ ‘soTUOMOI,q
+ UUrT
+
+
+
+ uu
+
+
+
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+ B
+ UIJIM
+ pasueyo
+ oq
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+ pue
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+ oq
+ AWW
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+ IVNOIS
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+ AUV
+
+
+ “parlsop
+ Jr
+ SUOTIISUBI}
+ YIOOUIS
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+ 9q
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+ SFONWHO
+ OdINAL
+ e
+
+
+
+ ‘uonng
+ OdNAL
+ dV
+ L
+ 9)
+ uO
+
+
+
+ sojou
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+ Suiddy}
+ Aq
+ 10
+ ‘syUSTIOIOUI
+ oINUTIAI-J8g-Jesg
+ &
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+ sys}
+ UL
+ ofquisn(pe
+ ‘ATTeouIAUINU
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+ oq
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+ OdINALL
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+
+
+
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+ Jed
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+ 10
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+ U!
+ patyoeds
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+
+
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+ 11g
+ 9]
+ 98108
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+ Bann
+ soz]
+ e
+
+
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+ 0006
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+ Jo
+ wNIqUUr]
+ prepue}s
+ 0}
+ OUAS
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+ 10
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+ 1d
+ ‘LWddad
+ “ASV
+
+
+
+ SUIpNpoUr
+ ‘suOTIOUN]
+ posn
+ A[UOUILUOS
+ 94]
+ JO
+ AUBUT
+ [O1]UOD
+ AJ9]OWIAI
+ 0}
+ PousIsse
+ oq
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+
+
+ “SUIPIONAI
+ I[IYM
+ P2sesd
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+ Iv
+ $3}OU
+ BUTISIXO—ZUIPIOIA
+ SATON.ASOP-UON
+
+
+
+ ‘suoneurldxa
+ peuoyippe
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+
+
+
+ oy]
+ ‘pepsau
+ JI
+ ‘suoneiodo
+ [ye
+ yYsnosy]
+ NOA
+ sapins
+ ApIespo
+ Avfdsip
+ QO]
+ Joey
+ Z7¢
+ 9y3—uoeIodo
+ Urea]
+ 0}
+ Ased
+ ‘aus
+ «
+
+
+
+ jUorel]suowtap
+ &
+ IO}
+ Aepol
+ Jayeap
+ uur’]
+ INOA
+ dag
+ ‘dISHUL
+
+
+ INOA
+ 0}
+ UONUS}]¥
+ PaplAIPUN
+ INOA
+ SUTJOASp
+ ITY
+ ps
+ pue
+
+
+ p1osai
+ ‘asoduod
+ no
+ Jay
+ 0}
+ pausisap
+ st
+ 1s0uenbesuur’]
+ oy)
+
+
+ Aum
+ Aposiooid
+ $,Jeu],
+ ‘SS9d0Id
+ SATTBS1D
+ OY}
+ YIM
+ SOIOJIOIUT
+
+
+ yey)
+ xo]dwWI0d
+ Os
+ dq
+ JOA9U
+ P[NoUsS
+ osn
+ NOA
+ AZopOuYdE}
+ oy
+
+
+
+ ISTUMOIAUIO?)
+ NOAA
+ UOHISOdWIO)
+
+
+
+ "NOSpr]
+ B
+ Oy
+ ‘AONUTJUT
+ yada
+ 0}
+ seq
+ Maz
+ Se]
+ BY]
+ Jas
+ UdAd
+
+
+ uvd
+ NOA
+ ‘palisap
+ JJ
+ ‘souanbes
+ Mou
+ ¥B
+ OVUT
+ sjied
+ ou]
+ [Te
+ Adoo
+
+
+ ATesrewO
+ Ne
+ WI)
+ [IM
+ ONOS
+ ALVAAO
+ JeyIe80}
+ wey}
+
+
+ ,deyd,,
+ 0}
+ UOTOUNJ
+ ONOS
+ ALVA
+ ou]
+ asn
+ usy]
+ ‘saouanbes
+
+
+ JENPIAIpUt
+ UI
+ (“949
+ ‘snJOYD
+ ‘aS1OA)
+ UOTIDIS
+ JIseq
+ Yes
+
+
+ Pl0da1
+ OF
+ ST
+ ABM
+ JOuIOUY
+ “(812g
+ 666
+ 01
+ dn)
+ ysnory)
+ ABM
-
- extremely
- powerful,
- yet
- amazingly
- simple
- to
- learn
- and
- use.
- It’s
- many
- remarkable
- features
- include:
+
+
+ dU}
+ [fe
+ YORI]
+ YORs
+ p10991
+ 0}
+ ST
+ SUOS
+ B
+ 9789I9
+ 0}
+ ABM
+ SUG,
+
+
+
+ SUOS
+ &
+ SUTVAID
+
+
+
+ *suoT}oes
+ poJUBMUN
-
- ¢
- Operation
- is
- similar
- to
- multi-track
- tape
- recorder
- with
- PLAY,
- STOP,
- RECORD,
- FAST
-
-
- FORWARD,
- REWIND,
- and
- LOCATE
- controls.
-
-
-
- e
- Each
- of
- the
- 100
- sequences
- contains
- 32
- simultaneous,
- polyphonic
- tracks.
- Each
- track
- may
-
-
- be
- assigned
- to
- one
- of
- 16
- MIDI
- channels.
- Simultaneously
- plays
- up
- to
- 16
- polyphonic
-
-
-
- synthesizers!
-
-
-
- ¢
- Ultra-fast
- 3%”
- disk
- drive
- stores
- complex
- songs
- in
- seconds
- and
- holds
- over
- 110,000
- notes
-
-
-
- per
- disk!
-
-
-
- ¢
- One
- or
- all
- tracks
- may
- be
- TRANSPOSED
- at
- the
- touch
- of
- a
- key.
-
-
- e
- Exclusive
- real-time
- ERASE
- function
- makes
- editing
- FAST.
-
-
- *
- Exclusive
- REPEAT
- function
- automatically
- repeats
- any
- held
- notes
- at
- a
- pre-selected
-
-
-
- rhythmic
- value.
-
-
-
- ¢
- TIMING
- CORRECTION
- works
- during
- playback
- and
- operates
- without
- ‘chopping’
- notes.
-
-
-
- ¢
- Optional
- SMPTE
- time
- code
- synchronization.
-
-
-
- ©
- Optional
- remote
- control.
-
-
-
- Recording
- a
- Sequence
+
+
+ SAOUIOI
+ 0}
+ ABM
+ SWS
+ dU}
+ SoyeIodo
+ SUV
+ ALATAaG
-
- To
- record
- a
- sequence,
- simply
- press
- RECORD
- and
- PLAY,
-
-
- then
- play
- your
- MIDI
- keyboard
- in
- time
- to
- the
- Sequencer’s
-
-
- click
- track.
- When
- the
- sequence
- loops
- back
- around
- to
- bar
- 1,
-
-
- you’
- ll
- hear
- what
- you
- played—only
- all
- timing
- errors
- will
- be
-
-
-
- corrected!
- (Timing
- correction
- may
- be
- adjusted
- or
- defeated).
-
-
-
- Any
- additional
- notes
- played
- will
- be
- added
- into
- the
- track
-
-
- —
- existing
- notes
- are
- not
- erased
- while
- recording!
+
+
+ “OBPLIq
+ dy}
+ PUB
+ SNIOY
+ PUOdAS
+ dT]]
+ Ud9MIAQ
+ SIDA
+ ISI
-
- FAST
- FORWARD,
- REWIND,
- and
- LOCATE
- controls
-
-
- may
- be
- used
- at
- any
- time
- to
- quickly
- access
- any
- location
- in
-
-
- your
- sequence
- for
- spot-recording.
- To
- overdub
- a
- new
- part,
-
-
- select
- a
- different
- track
- and
- start
- recording—while
- you
-
-
- record,
- the
- first
- track
- will
- play
- in
- perfect
- sync
- (unless
- you
-
-
- MUTE
- it,
- or
- SOLO
- another
- track).
- In
- this
- way,
- up
- to
- 32
-
-
- tracks
- may
- be
- overdubbed!
- All
- MIDI
- effects
- are
- recorded
-
-
- including
- pitch
- bend,
- modulation,
- velocity,
- aftertouch,
-
-
- sustain
- pedal,
- and
- program
- changes!
-
-
-
- Editing
+
+
+ ay)
+ Jo
+ Adoo
+ B
+ JJasuT
+ WYSE
+ NOAA
+ ‘afdwexs
+ 10.f
+ ‘UO
+ JUSIN]JIP
-
- To
- erase
- a
- wrong
- note,
- simply
- hold
- ERASE
- and
- press
+
+
+ B
+ IO
+ aouaNbas
+ sues
+ OY}
+ UI—JOY
+ OUP
+ 0}
+ UOTIEIO]
+ 9UO
+ WOT]
-
- the
- note
- to
- be
- erased
- just
- before
- it
- plays
- in
- the
- sequence—
-
-
- when
- played
- back,
- it
- will
- be
- gone.
- Notes
- may
- also
- be
-
-
-
- added,
- erased,
- or
- changed
- using
- the
- SINGLE
- STEP
- func-
-
-
- tion.
- To
- overdub
- notes
- at
- specific
- points
- within
- a
- sequence,
-
-
-
- Additional
- Features
-
-
-
- simply
- use
- LOCATE,
- FAST
- FORWARD,
- or
- REWIND
- to
-
-
- find
- the
- desired
- bar
- number,
- then
- start
- recording.
+
+ $1Bq
+ JAOUI
+ OF
+ NOA
+ sMOTIe
+ WOTIOUNS
+ AdOO/IMASNI
+ OULL
-
- The
- INSERT/COPY
- function
- allows
- you
- to
- move
- bars
-
-
- from
- one
- location
- to
- another—in
- the
- same
- sequence
- or
- a
-
-
- different
- one.
- For
- example,
- you
- might
- insert
- a
- copy
- of
- the
-
-
- first
- verse
- between
- the
- second
- chorus
- and
- the
- bridge.
-
-
- DELETE
- BARS
- operates
- the
- same
- way
- to
- remove
-
-
- unwanted
- sections,
-
-
-
- Creating
- a
- Song
+
+
+ ‘SUIPIONAI
+ JIVIS
+ Udy)
+ “OQuINU
+ eq
+ porisop
+ ay}
+ puy
-
- One
- way
- to
- create
- a
- song
- is
- to
- record
- each
- track
- all
- the
-
-
- way
- through
- (up
- to
- 999
- bars).
- Another
- way
- is
- to
- record
-
-
- each
- basic
- section
- (verse,
- chorus,
- etc.)
- in
- individual
-
-
- sequences,
- then
- use
- the
- CREATE
- SONG
- function
- to
- “chain”
-
-
- them
- together.
- CREATE
- SONG
- will
- then
- automatically
-
-
- copy
- all
- the
- parts
- into
- a
- new
- sequence.
- If
- desired,
- you
- can
-
-
- even
- set
- the
- last
- few
- bars
- to
- repeat
- infinitely,
- for
- a
- fadeout.
+
+
+ 0}
+ CNIMAY
+ 10
+ ‘CYVM
+ Od
+ LSWA
+ “AEVOOT
+ esn
+ Apduns
-
- Composition
- Without
- Compromise
-
-
-
- The
- technology
- you
- use
- should
- never
- be
- so
- complex
- that
-
-
- it
- interferes
- with
- the
- creative
- process.
- That’s
- precisely
- why
-
-
- the
- LinnSequencer
- is
- designed
- to
- let
- you
- compose,
- record
-
-
- and
- edit
- while
- devoting
- your
- undivided
- attention
- to
- your
-
-
- music.
- See
- your
- Linn
- dealer
- today
- for
- a
- demonstration!
+
+
+ sainjeay
+ [PUOHIPPY
-
- *
- Simple,
- easy
- to
- learn
- operation—the
- 32
- character
- LCD
- display
- clearly
- guides
- you
- through
- all
- operations.
- If
- needed,
- the
+
+
+ ‘gouanbas
+ &
+ UTYIIM
+ s]UTOd
+ a1y1dads
+ 3¥
+ $9100
+ QnPIOAO
+ OL
+ "UOT}
+
+
+ -ouns
+ dALLS
+ ATONIS
+ 24)
+ Suisn
+ pasueyo
+ Jo
+ ‘pasesa
+ ‘pappe
+
+
+ aq
+ osye
+ ABUT
+ S9]ON
+ ‘U0
+ 9q
+ ]IIM
+ 1
+ “yoeq
+ podeyd
+ uayM
+
+
+ —aouanbas
+ oy]
+ ul
+ skeyd
+ 71
+ a10J9q
+ Isnf
+ posers
+ oq
+ 0}
+ d]0U
+ ayy
+
+
+ ssaid
+ pue
+ ASvwug
+ ploy
+ Aydunis
+ ‘jou
+ Suomm
+ &
+ aseso
+ OL
-
- HELP
- button
- displays
- additional
- explanations.
+
+
+ sunipa
-
- *
- Non-destructive
- recording—existing
- notes
- are
- not
- erased
- while
- recording.
+
+
+ jsesdueyo
+ ureisoid
+ pue
+ ‘fepod
+ ureysns
-
- ¢
- Two
- FOOTSWITCH
- INPUTS
- may
- be
- assigned
- to
- remotely
- control
- many
- of
- the
- commonly
- used
- functions,
- including
+
+ ‘yonoplalje
+ ‘AWOOTOA
+ ‘UOTyeTNpow
+ ‘pusg
+ youd
+ Surpnyour
+
+
+ pep10del
+ are
+ $199JJ2
+ TCTIN
+ [WV
+ iPeqqnpseao
+ aq
+ Aeur
+ syoen
+
+
+ Ze
+ 07
+ dn
+ ‘Kem
+ sie
+ Uy
+ *(foeI}
+ JOyOUR
+ OJOS
+ 10
+ ALLAN
+
+
+ NOA
+ ssofum)
+ duAS
+ yOaysod
+ ul
+ Avy
+ [[IM
+ Yow]
+ ISI
+ 93
+ “prooar
+
+
+ NOA
+ 3[IYM—SUIPIOIA
+ LIBIS
+ PU
+ YORI)
+ TUdIOTJIP
+ B
+ JOaTas
+
+
+ *y1ed
+ MOU
+ B
+ QNPIsA0
+ OL,
+ “SuIps0daJ-jods
+ 10}
+ aouanbes
+ mno0k
+
+
+ UI
+ UOHBIO]
+ Aue
+ ssad0e
+ ATYOIND
+ 0}
+ owt}
+ Aue
+ ye
+ pasn
+ aq
+ AvUE
+
+
+ SJONUOD
+ FLIVOOT
+ pur
+ ‘ANIMA
+ ‘CYVMaYOd
+ LSVd
+
+
+ {SUIPIOSAI
+ {IY
+ posesa
+ JOU
+ se
+ So]OU
+ SuTsTXO—
+
+
+ yous}
+ 3U}
+ OUT
+ poppe
+ aq
+ JIM
+ poteyd
+ sajou
+ yeuonippe
+ Auy
+
+
+ *(povesjap
+ 10
+ poysn{pe
+ oq
+ ABW
+ UOTIIII0D
+ BUTUTT])
+ j{paqoeLI09
+
+
+ 2q
+ ][IM
+ S1OLIe
+ Sur
+ [fe
+ ATUO—patey]d
+ nod
+ Jey
+ Jedy
+ ]],NOA
+
+
+ ‘]
+ req
+ 0]
+ punose
+ yoeq
+ sdoo]
+ sduanbas
+ ay]
+ Udy
+ AA
+ “YOu
+ Yor
+
+
+ §,sa0uaNbas
+ at}
+ O]
+ SUIT)
+ UI
+ preogday
+ [IW]
+ INO
+ Avy
+ usy3
+
+
+ AV'1d
+ pue
+ (YOON
+ ssoid
+ Ayduus
+ ‘aousnbes
+ &
+ p1o09es
+ OF,
-
- ERASE,
- REPEAT,
- PLAY/STOP,
- or
- LOCATE.
+
+
+ g0uaNbas
+ &
+ SUIP10I0y]
-
- ¢
- Iwo
- TRIGGER
- OUTPUTS
- may
- be
- programmed
- to
- output
- pulses
- at
- any
- selected
- note
- value.
+
+
+ ‘JONWOD
+ s}JouNaI
+ TeuONdGO
+ e
-
- ©
- Will
- sync
- to
- standard
- LinnDrum
- or
- Linn
- 9000
- sync
- tone.
+
+
+ "UOTJEZIUOIYUAS
+ OPOS
+ UIT}
+ FLAWS
+ [euondo
+ e
-
- ©
- Utilizes
- ultra
- high-speed,
- 8
- MHz
- 80186
- 16
- bit
- computer
- internally
- for
- FAST
- operation.
-
-
- *
- TEMPO
- may
- be
- specified
- in
- BEATS-PER-MINUTE
- or
- FRAMES-PER-BEAT
- at
- 24,
- 25,
- or
- 30
- frames
- per
- second,
+
+
+ ‘sou
+ .sulddoys,
+ noyyM
+ sayelodo
+ pue
+ yoegdvyd
+ ZuLINp
+ S¥IOM
+ NOLLOANNYOO
+ ONIWILL
+ e
-
- (even
- drop
- frame!)
+
+
+ ‘onqea
+ ory
+ AY
-
- ¢
- TEMPO
- may
- be
- entered
- numerically,
- adjustable
- in
- tenths
- of
- a
- Beat-Per-Minute
- increments,
- or
- by
- tapping
- quarter
- notes
+
+
+ pojoojes-oid
+ &
+ ye
+ sajou
+ pyoy
+ Aue
+ syeadas
+ ATTeONewWO
+ Ne
+ UOTOUNS
+ [WAdAY
+ OAISNOX
+ e
+
+
+ ‘LSVJ
+ SUnIpS
+ soyeu
+ UOTOUN
+ ASV
+ UA
+ OUlN-[eal
+ SAISNIOXY
+ e
+
+
+ ‘Koy
+ B
+ JO
+ YONO}
+ 941
+ 12
+ CASOdSNVALL
+ 0g
+ ABU
+ Syde]
+ [Te
+ 10
+ 9UC
+ e
-
- on
- the
- TAP
- TEMPO
- button.
+
+
+ i
+ ASIP
+ Jed
-
- ¢
- TEMPO
- CHANGES
- may
- be
- programmed
- into
- a
- sequence,
- with
- smooth
- transitions
- if
- desired.
-
-
- ¢
- Any
- TIME
- SIGNATURE
- may
- be
- used,
- and
- may
- be
- changed
- within
- a
- song.
+
+
+ S9}0U
+ OOO‘OTT
+ JOA
+ SpfOy
+ puv
+ SpUOdeS
+ UT
+ SBUOS
+ Xa[AUIOD
+ So10}S
+ DALIP
+ YSIP
+ ,
+ 74
+ €
+ ISCJ-CNIN
-
- linn
-
-
- Linn
- Electronics,
- Inc.
+
+
+ jSIOZISOUJUAS
-
- 18720
- Oxnard
- Street,
- Tarzana,
- CA
- 91356
+
+
+ stuoydAjod
+ of
+ 0}
+ dn
+ skeyd
+ A[snoourynuls
+ ‘spouueYd
+ [IW
+ 9T
+ JO
+ duo
+ 0}
+ pousisse
+ oq
-
- (818)
- 708-8131
- TELEX
- #298949
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+
+ ABUL
+ YORI]
+ YOR
+ ‘syous)
+ oruoydAjod
+ ‘snoouelnurs
+ 7¢
+ SuTeJUOS
+ ssouUaNbas
+ QO]
+ OY}
+ JO
+ YORA
+ e
+
+
+
+ ‘SJONUOS
+ ATWOOT
+ pur
+ ‘GNIMAY
+ ‘GaVM
+ OA
+
+
+ LSVd
+ ‘GYOOde
+ AOLS
+ ‘AV
+ Td
+ YIM
+ Jopsocas
+ ade}
+ Yowsj-N[NU
+ O}
+ eps
+ st
+ UOTLISdO
+ @
+
+
+ LOPNOUT
+ SaINjeoy
+ s[quyIeUlss
+ AUB
+ S.JJ
+ ‘OSN
+ pue
+ UIes]
+ 0}
+ o[duns
+ A[suIzeUe
+ JOA
+ ‘PnJsomod
+ APOUIOITXO
+
+
+ St
+ 1]
+ “UeIOIsNUL
+ feUOIssajoid
+ oY}
+ 10
+ JOO}
+ soUBULIOJIJAd
+ pue
+ UOTIsOduIOS
+ 11e-dY1-JO-9}e)s
+ B
+ SI
+ IONUANbDaguUT]
+ ay
+
+
+
+ JOps1odady
+ soUINbIS
+ [GTI
+ YVAL
+ ZE
+
+
+ Jgouanbaguury
+ oy
-
+
The
LinnSequencer
-
+
32
Track
MIDI
@@ -27,27 +27,27 @@
-
+
The
- LinnSequencer
- is
+ LinnSequencer
+ is
a
state-of-the-art
composition
and
- performance
- tool
- for
+ performance
+ tool
+ for
the
- professional
- musician.
- It
+ professional
+ musician.
+ It
is
-
+
extremely
powerful,
yet
@@ -66,7 +66,7 @@
-
+
¢
Operation
is
@@ -81,18 +81,18 @@
RECORD,
FAST
-
+
FORWARD,
REWIND,
and
- LOCATE
- controls.
+ LOCATE
+ controls.
-
+
e
Each
of
@@ -108,7 +108,7 @@
track
may
-
+
be
assigned
to
@@ -135,7 +135,7 @@
-
+
¢
Ultra-fast
3%”
@@ -147,8 +147,8 @@
in
seconds
and
- holds
- over
+ holds
+ over
110,000
notes
@@ -164,23 +164,23 @@
-
+
¢
- One
- or
- all
+ One
+ or
+ all
tracks
may
be
- TRANSPOSED
- at
+ TRANSPOSED
+ at
the
touch
- of
- a
+ of
+ a
key.
-
+
e
Exclusive
real-time
@@ -190,7 +190,7 @@
editing
FAST.
-
+
*
Exclusive
REPEAT
@@ -209,18 +209,18 @@
- rhythmic
+ rhythmic
value.
-
+
¢
TIMING
- CORRECTION
- works
+ CORRECTION
+ works
during
playback
and
@@ -233,11 +233,11 @@
-
+
¢
Optional
- SMPTE
- time
+ SMPTE
+ time
code
synchronization.
@@ -246,7 +246,7 @@
- ©
+ ©
Optional
remote
control.
@@ -278,9 +278,9 @@
then
play
your
- MIDI
- keyboard
- in
+ MIDI
+ keyboard
+ in
time
to
the
@@ -294,14 +294,14 @@
sequence
loops
back
- around
- to
- bar
- 1,
+ around
+ to
+ bar
+ 1,
- you’
- ll
+ you’
+ ll
hear
what
you
@@ -316,7 +316,7 @@
-
+
corrected!
(Timing
correction
@@ -343,8 +343,8 @@
track
- —
- existing
+ —
+ existing
notes
are
not
@@ -358,10 +358,10 @@
FAST
FORWARD,
- REWIND,
- and
- LOCATE
- controls
+ REWIND,
+ and
+ LOCATE
+ controls
may
@@ -385,8 +385,8 @@
To
overdub
a
- new
- part,
+ new
+ part,
select
@@ -400,9 +400,9 @@
record,
- the
- first
- track
+ the
+ first
+ track
will
play
in
@@ -412,12 +412,12 @@
you
- MUTE
- it,
+ MUTE
+ it,
or
SOLO
- another
- track).
+ another
+ track).
In
this
way,
@@ -431,8 +431,8 @@
be
overdubbed!
All
- MIDI
- effects
+ MIDI
+ effects
are
recorded
@@ -440,8 +440,8 @@
including
pitch
bend,
- modulation,
- velocity,
+ modulation,
+ velocity,
aftertouch,
@@ -465,13 +465,13 @@
To
erase
a
- wrong
- note,
+ wrong
+ note,
simply
hold
- ERASE
- and
- press
+ ERASE
+ and
+ press
the
@@ -480,16 +480,16 @@
be
erased
just
- before
- it
+ before
+ it
plays
in
the
sequence—
- when
- played
+ when
+ played
back,
it
will
@@ -512,19 +512,19 @@
using
the
SINGLE
- STEP
- func-
+ STEP
+ func-
tion.
To
- overdub
- notes
- at
+ overdub
+ notes
+ at
specific
points
- within
- a
+ within
+ a
sequence,
The
- INSERT/COPY
- function
+ INSERT/COPY
+ function
allows
you
to
@@ -580,8 +580,8 @@
another—in
the
same
- sequence
- or
+ sequence
+ or
a
@@ -603,15 +603,15 @@
between
the
second
- chorus
- and
- the
+ chorus
+ and
+ the
bridge.
DELETE
- BARS
- operates
+ BARS
+ operates
the
same
way
@@ -619,8 +619,8 @@
remove
- unwanted
- sections,
+ unwanted
+ sections,
One
- way
- to
+ way
+ to
create
a
- song
- is
+ song
+ is
to
record
each
@@ -657,8 +657,8 @@
999
bars).
Another
- way
- is
+ way
+ is
to
record
@@ -667,8 +667,8 @@
basic
section
(verse,
- chorus,
- etc.)
+ chorus,
+ etc.)
in
individual
-
+
*
Simple,
easy
@@ -806,8 +806,8 @@
clearly
guides
you
- through
- all
+ through
+ all
operations.
If
needed,
@@ -818,8 +818,8 @@
- HELP
- button
+ HELP
+ button
displays
additional
explanations.
@@ -828,7 +828,7 @@
-
+
*
Non-destructive
recording—existing
@@ -839,14 +839,14 @@
while
recording.
-
+
¢
Two
FOOTSWITCH
- INPUTS
- may
- be
- assigned
+ INPUTS
+ may
+ be
+ assigned
to
remotely
control
@@ -873,12 +873,12 @@
-
- ¢
- Iwo
+
+ ¢
+ Iwo
TRIGGER
- OUTPUTS
- may
+ OUTPUTS
+ may
be
programmed
to
@@ -887,7 +887,7 @@
at
any
selected
- note
+ note
value.
-
- ©
- Utilizes
- ultra
+
+ ©
+ Utilizes
+ ultra
high-speed,
8
MHz
- 80186
- 16
+ 80186
+ 16
bit
computer
internally
@@ -927,17 +927,17 @@
FAST
operation.
-
+
*
- TEMPO
- may
- be
- specified
+ TEMPO
+ may
+ be
+ specified
in
BEATS-PER-MINUTE
or
- FRAMES-PER-BEAT
- at
+ FRAMES-PER-BEAT
+ at
24,
25,
or
@@ -959,19 +959,19 @@
-
- ¢
- TEMPO
- may
- be
+
+ ¢
+ TEMPO
+ may
+ be
entered
numerically,
- adjustable
- in
+ adjustable
+ in
tenths
of
- a
- Beat-Per-Minute
+ a
+ Beat-Per-Minute
increments,
or
by
@@ -987,36 +987,36 @@
on
the
TAP
- TEMPO
- button.
+ TEMPO
+ button.
-
+
¢
TEMPO
- CHANGES
- may
+ CHANGES
+ may
be
- programmed
- into
+ programmed
+ into
a
sequence,
with
- smooth
- transitions
+ smooth
+ transitions
if
desired.
-
+
¢
Any
TIME
- SIGNATURE
- may
- be
+ SIGNATURE
+ may
+ be
used,
and
may
diff --git a/tests/cache/ccitt/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/stderr.bin b/tests/cache/ccitt/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/stderr.bin
index 61f78d82..16b617e5 100644
--- a/tests/cache/ccitt/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/stderr.bin
+++ b/tests/cache/ccitt/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/stderr.bin
@@ -1 +1 @@
-Tesseract Open Source OCR Engine v4.0.0 with Leptonica
+Tesseract Open Source OCR Engine v4.1.1 with Leptonica
diff --git a/tests/cache/ccitt/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin b/tests/cache/ccitt/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin
index 2a214e8c..13d33a38 100644
Binary files a/tests/cache/ccitt/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/ccitt/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin differ
diff --git a/tests/cache/ccitt/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin b/tests/cache/ccitt/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin
index 61f78d82..16b617e5 100644
--- a/tests/cache/ccitt/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin
+++ b/tests/cache/ccitt/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin
@@ -1 +1 @@
-Tesseract Open Source OCR Engine v4.0.0 with Leptonica
+Tesseract Open Source OCR Engine v4.1.1 with Leptonica
diff --git a/tests/cache/cmyk/__-l__deu__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin b/tests/cache/cmyk/__-l__deu__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin
deleted file mode 100644
index bd00d06d..00000000
Binary files a/tests/cache/cmyk/__-l__deu__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin and /dev/null differ
diff --git a/tests/cache/cmyk/__-l__deu__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin b/tests/cache/cmyk/__-l__deu__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin
deleted file mode 100644
index 61f78d82..00000000
--- a/tests/cache/cmyk/__-l__deu__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin
+++ /dev/null
@@ -1 +0,0 @@
-Tesseract Open Source OCR Engine v4.0.0 with Leptonica
diff --git a/tests/cache/cmyk/__-l__deu__000001_ocr.png__000001_ocr_tess__pdf__txt/stdout.bin b/tests/cache/cmyk/__-l__deu__000001_ocr.png__000001_ocr_tess__pdf__txt/stdout.bin
deleted file mode 100644
index e69de29b..00000000
diff --git a/tests/cache/cmyk/__-l__deu__000001_ocr.png__000001_ocr_tess__pdf__txt/txt.bin b/tests/cache/cmyk/__-l__deu__000001_ocr.png__000001_ocr_tess__pdf__txt/txt.bin
deleted file mode 100644
index 25fdded2..00000000
--- a/tests/cache/cmyk/__-l__deu__000001_ocr.png__000001_ocr_tess__pdf__txt/txt.bin
+++ /dev/null
@@ -1,13 +0,0 @@
-Portez ce vieux whisky au juge
-blond qui fume sur son Ile
-interieure, a cöte de l'alcöve
-ovoide, oU les büches se
-consument dans l'ätre, ce qui
-lui permet de penser & la
-caenogenese de |'etre dont il
-est question dans la cause
-ambigu& entendue a MoY, dans
-un capharnaüm qui, pense-t-il,
-diminue ca et la la qualite de son
-ceuvre.
-
\ No newline at end of file
diff --git a/tests/cache/cmyk/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin b/tests/cache/cmyk/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin
deleted file mode 100644
index f481ba25..00000000
--- a/tests/cache/cmyk/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin
+++ /dev/null
@@ -1,54 +0,0 @@
-
-
-
-
-
-
- Multicolor
- Black
-
-
- Pure
- Black
- (K
- =
- 100}
-
-
-
- Pure
- Magenta
-
-
-
- Pure
- Cyan
-
-
-
- Pure
- Yellow
-
-
-
- 4ist
- ConGREss,
- }
- SENATE.
- {
- Ex.
- Doc,
+
+
+
+
+ 41st
+ CONGRESS;
+ |
+ SENATE.
-
- 3d
- Session.
- No.
- 25.
+
+ 3d
+ Session.
+ }
-
- MESSAGE
+
+
+ MESSAGE
-
- OF
- THE
+
+
+ OF
+ THE
-
- PRESIDENT
- OF
- THE
- UNITED
- STATES,
+
+
+ PRESIDENT
+ OF
+ THE
+ UNITED
+ STATES,
-
- COMMUNICATING
+
+
+ COMMUNICATING
-
- A
- copy
- of
- regulations
- for
- the
- consular
- courts
- of
- the
- United
- States
- in
- Japan,
+
+
+ A
+ copy
+ of
+ regulations
+ for
+ the
+ consular
+ courts
+ of
+ the
+ United
+ States
+ in
+ Japan,
-
- decreed
- and
- issued
- by
- the
- minister
- of
- the
- United
- States
- in
- that
- country.
+
+ decreed
+ and
+ issued
+ by
+ the
+ minister
+ of
+ the
+ United
+ States
+ in
+ that
+ country.
-
- JANUARY
- 27,
- 1871,—Read,
- referred
- to
- the
- Committee
- on
- Commerce,
- and
- ordered
- to
- be
+
+