@@ -18,7 +18,7 @@
- This should be a perfect circle: + This shnuld be a perfect circle-
- The LinnSequencer + The LinnSequencer - 32 Track MIDI Sequence Recorder + 32 Track MIDI Sequence Recorder
- The LinnSequencer is a state-of-the-art composition and performance tool for the professional musician. It is + The LinnSequencer is a state—of—the-art composition and performance tool for the professional musician. It is
- extremely powerful, yet amazingly simple to learn and use. It’s many remarkable features include: + extremely powerful, yet amazingly simple to learn and use. It’s many remarkable features include:
- ¢ Operation is similar to multi-track tape recorder with PLAY, STOP, RECORD, FAST + 0 Operation is similar to multi—track tape recorder with PLAY, STOP, RECORD, FAST - FORWARD, REWIND, and LOCATE controls. + FORWARD, REWIND, and LOCATE controls.
- e Each of the 100 sequences contains 32 simultaneous, polyphonic tracks. Each track may + 0 Each of the 100 sequences contains 32 simultaneous, polyphonic tracks. Each track may - be assigned to one of 16 MIDI channels. Simultaneously plays up to 16 polyphonic + be assigned to one of 16 MIDI channels. Simultaneously plays up to 16 polyphonic
- synthesizers! + synthesizers !
- ¢ Ultra-fast 3%” disk drive stores complex songs in seconds and holds over 110,000 notes + 0 Ultra—fast 3 1/2 ” disk drive stores complex songs in seconds and holds over 110,000 notes
- per disk! + per disk!
- ¢ One or all tracks may be TRANSPOSED at the touch of a key. + 0 One or all tracks may be TRANSPOSED at the touch of a key. - e Exclusive real-time ERASE function makes editing FAST. + 0 Exclusive real—time ERASE function makes editing FAST. - * Exclusive REPEAT function automatically repeats any held notes at a pre-selected + 0 Exclusive REPEAT function automatically repeats any held notes at a pre-selected
- rhythmic value. + rhythmic value.
- ¢ TIMING CORRECTION works during playback and operates without ‘chopping’ notes. + 0 TIMING CORRECTION works during playback and operates without ‘chopping’ notes.
- ¢ Optional SMPTE time code synchronization. + 0 Optional SMPTE time code synchronization.
- © Optional remote control. + 0 Optional remote control.
- Recording a Sequence + Recording 3 Sequence
- To record a sequence, simply press RECORD and PLAY, + To record a sequence, simply press RECORD and PLAY, - then play your MIDI keyboard in time to the Sequencer’s + then play your MIDI keyboard in time to the Sequencer’s - click track. When the sequence loops back around to bar 1, + click track. When the sequence loops back around to bar 1, - you’ ll hear what you played—only all timing errors will be + you’ll hear what you played—only all timing errors will be
- corrected! (Timing correction may be adjusted or defeated). + corrected! (Timing correction may be adjusted or defeated).
- Any additional notes played will be added into the track + Any additional notes played will be added into the track - — existing notes are not erased while recording! + —existing notes are not erased while recording!
- FAST FORWARD, REWIND, and LOCATE controls + FAST FORWARD, REWIND, and LOCATE controls - may be used at any time to quickly access any location in + may be used at any time to quickly access any location in - your sequence for spot-recording. To overdub a new part, + your sequence for spot—recording. To overdub a new part, - select a different track and start recording—while you + select a different track and start recording~while you - record, the first track will play in perfect sync (unless you + record, the first‘track will play in perfect sync (unless you - MUTE it, or SOLO another track). In this way, up to 32 + MUTE it, or SOLO another track). In this way, up to 32 - tracks may be overdubbed! All MIDI effects are recorded + tracks may be overdubbed! All MIDI effects are recorded - including pitch bend, modulation, velocity, aftertouch, + including pitch bend, modulation, velocity, aftertouch, - sustain pedal, and program changes! + sustain pedal, and program changes!
- Editing + Editing
- To erase a wrong note, simply hold ERASE and press + To erase a wrong note, simply hold ERASE and press - the note to be erased just before it plays in the sequence— + the note to be erased just before it plays in the sequence— - when played back, it will be gone. Notes may also be + when played back, it will be gone. Notes may also be
- added, erased, or changed using the SINGLE STEP func- + added, erased, or changed using the SINGLE STEP func- - tion. To overdub notes at specific points within a sequence, + tion. To overdub notes at specific points within a sequence,
- Additional Features + Additional Features
- simply use LOCATE, FAST FORWARD, or REWIND to + simply use LOCATE, FAST FORWARD, or REWIND to - find the desired bar number, then start recording. + find the desired bar number, then start recording.
- The INSERT/COPY function allows you to move bars + The INSERT/COPY function allows you to move bars - from one location to another—in the same sequence or a + from one location to another—in the same sequence or a - different one. For example, you might insert a copy of the + different one. For example, you might insert a copy of the - first verse between the second chorus and the bridge. + first verse between the second chorus and the bridge. - DELETE BARS operates the same way to remove + DELETE BARS operates the same way to remove - unwanted sections, + unwanted sections.
- Creating a Song + Creating a Song
- One way to create a song is to record each track all the + One way to create a song is to record each track all the - way through (up to 999 bars). Another way is to record + way through (up to 999 bars). Another way is to record - each basic section (verse, chorus, etc.) in individual + each basic section (verse, chorus, etc.) in individual - sequences, then use the CREATE SONG function to “chain” + sequences, then use the CREATE SONG function to “chain” - them together. CREATE SONG will then automatically + them together. CREATE SONG will then automatically - copy all the parts into a new sequence. If desired, you can + copy all the parts into a new sequence. If desired, you can - even set the last few bars to repeat infinitely, for a fadeout. + even set the last few bars to repeat infinitely, for a fadeout.
- Composition Without Compromise + Composition Without Compromise
- The technology you use should never be so complex that + The technology you use should never be so complex that - it interferes with the creative process. That’s precisely why + it interferes with the creative process. That’s precisely why - the LinnSequencer is designed to let you compose, record + the LinnSequencer is designed to let you compose, record - and edit while devoting your undivided attention to your + and edit while devoting your undivided attention to your - music. See your Linn dealer today for a demonstration! + music. See your Linn dealer today for a demonstration!
- * Simple, easy to learn operation—the 32 character LCD display clearly guides you through all operations. If needed, the + 0 Simple, easy to learn operation—the 32 character LCD display clearly guides you through all operations. If needed, the
- HELP button displays additional explanations. + HELP button displays additional explanations.
- * Non-destructive recording—existing notes are not erased while recording. + 0 Non-destructive recording—existing notes are not erased while recording. - ¢ Two FOOTSWITCH INPUTS may be assigned to remotely control many of the commonly used functions, including + 0 Two FOOTSWITCH INPUTS may be assigned to remotely control many of the commonly used functions, including
- ERASE, REPEAT, PLAY/STOP, or LOCATE. + ERASE, REPEAT, PLAY/STOP, or LOCATE.
- ¢ Iwo TRIGGER OUTPUTS may be programmed to output pulses at any selected note value. + 0 Two TRIGGER OUTPUTS may be programmed to output pulses at any selected note value.
- © Will sync to standard LinnDrum or Linn 9000 sync tone. + 0 Will sync to standard LinnDrum or Linn 9000 sync tone.
- © Utilizes ultra high-speed, 8 MHz 80186 16 bit computer internally for FAST operation. + ' Utilizes ultra high—speed, 8 MHz 80186 16 bit computer internally for FAST operation. - * TEMPO may be specified in BEATS-PER-MINUTE or FRAMES-PER-BEAT at 24, 25, or 30 frames per second, + 0 TEMPO may be specified in BEATS-PER—MINUTE or FRAMES-PER—BEAT at 24, 25, or 30 frames per second,
- (even drop frame!) + (even drop frame!)
- ¢ TEMPO may be entered numerically, adjustable in tenths of a Beat-Per-Minute increments, or by tapping quarter notes + 0 TEMPO may be entered numerically, adjustable in tenths of a Beat-Per-Minute increments, or by tapping quarter notes
- on the TAP TEMPO button. + on the TAP TEMPO button.
- ¢ TEMPO CHANGES may be programmed into a sequence, with smooth transitions if desired. + 0 TEMPO CHANGES may be programmed into a sequence, with smooth transitions if desired. - ¢ Any TIME SIGNATURE may be used, and may be changed within a song. + ° Any TIME SIGNATURE may be used, and may be changed within a song.
- linn + E1111 - Linn Electronics, Inc. + Linn Electronics, Inc.
- 18720 Oxnard Street, Tarzana, CA 91356 + 18720 Oxnard Street, Tarzana, CA 91356 - (818) 708-8131 TELEX #298949 LINN UR + (818) 7088131 T ELEX #298949 LINN UR
- The LinnSequencer + The LinnSequencer - 32 Track MIDI Sequence Recorder + 32 Track MIDI Sequence Recorder
- The LinnSequencer is a state-of-the-art composition and performance tool for the professional musician. It is + The LinnSequencer is a state—of—the-art composition and performance tool for the professional musician. It is
- extremely powerful, yet amazingly simple to learn and use. It’s many remarkable features include: + extremely powerful, yet amazingly simple to learn and use. It’s many remarkable features include:
- ¢ Operation is similar to multi-track tape recorder with PLAY, STOP, RECORD, FAST + 0 Operation is similar to multi—track tape recorder with PLAY, STOP, RECORD, FAST - FORWARD, REWIND, and LOCATE controls. + FORWARD, REWIND, and LOCATE controls.
- e Each of the 100 sequences contains 32 simultaneous, polyphonic tracks. Each track may + 0 Each of the 100 sequences contains 32 simultaneous, polyphonic tracks. Each track may - be assigned to one of 16 MIDI channels. Simultaneously plays up to 16 polyphonic + be assigned to one of 16 MIDI channels. Simultaneously plays up to 16 polyphonic
- synthesizers! + synthesizers !
- ¢ Ultra-fast 3%” disk drive stores complex songs in seconds and holds over 110,000 notes + 0 Ultra—fast 3 1/2 ” disk drive stores complex songs in seconds and holds over 110,000 notes
- per disk! + per disk!
- ¢ One or all tracks may be TRANSPOSED at the touch of a key. + 0 One or all tracks may be TRANSPOSED at the touch of a key. - e Exclusive real-time ERASE function makes editing FAST. + 0 Exclusive real—time ERASE function makes editing FAST. - * Exclusive REPEAT function automatically repeats any held notes at a pre-selected + 0 Exclusive REPEAT function automatically repeats any held notes at a pre-selected
- rhythmic value. + rhythmic value.
- ¢ TIMING CORRECTION works during playback and operates without ‘chopping’ notes. + 0 TIMING CORRECTION works during playback and operates without ‘chopping’ notes.
- ¢ Optional SMPTE time code synchronization. + 0 Optional SMPTE time code synchronization.
- © Optional remote control. + 0 Optional remote control.
- Recording a Sequence + Recording 3 Sequence
- To record a sequence, simply press RECORD and PLAY, + To record a sequence, simply press RECORD and PLAY, - then play your MIDI keyboard in time to the Sequencer’s + then play your MIDI keyboard in time to the Sequencer’s - click track. When the sequence loops back around to bar 1, + click track. When the sequence loops back around to bar 1, - you’ ll hear what you played—only all timing errors will be + you’ll hear what you played—only all timing errors will be
- corrected! (Timing correction may be adjusted or defeated). + corrected! (Timing correction may be adjusted or defeated).
- Any additional notes played will be added into the track + Any additional notes played will be added into the track - — existing notes are not erased while recording! + —existing notes are not erased while recording!
- FAST FORWARD, REWIND, and LOCATE controls + FAST FORWARD, REWIND, and LOCATE controls - may be used at any time to quickly access any location in + may be used at any time to quickly access any location in - your sequence for spot-recording. To overdub a new part, + your sequence for spot—recording. To overdub a new part, - select a different track and start recording—while you + select a different track and start recording~while you - record, the first track will play in perfect sync (unless you + record, the first‘track will play in perfect sync (unless you - MUTE it, or SOLO another track). In this way, up to 32 + MUTE it, or SOLO another track). In this way, up to 32 - tracks may be overdubbed! All MIDI effects are recorded + tracks may be overdubbed! All MIDI effects are recorded - including pitch bend, modulation, velocity, aftertouch, + including pitch bend, modulation, velocity, aftertouch, - sustain pedal, and program changes! + sustain pedal, and program changes!
- Editing + Editing
- To erase a wrong note, simply hold ERASE and press + To erase a wrong note, simply hold ERASE and press - the note to be erased just before it plays in the sequence— + the note to be erased just before it plays in the sequence— - when played back, it will be gone. Notes may also be + when played back, it will be gone. Notes may also be
- added, erased, or changed using the SINGLE STEP func- + added, erased, or changed using the SINGLE STEP func- - tion. To overdub notes at specific points within a sequence, + tion. To overdub notes at specific points within a sequence,
- Additional Features + Additional Features
- simply use LOCATE, FAST FORWARD, or REWIND to + simply use LOCATE, FAST FORWARD, or REWIND to - find the desired bar number, then start recording. + find the desired bar number, then start recording.
- The INSERT/COPY function allows you to move bars + The INSERT/COPY function allows you to move bars - from one location to another—in the same sequence or a + from one location to another—in the same sequence or a - different one. For example, you might insert a copy of the + different one. For example, you might insert a copy of the - first verse between the second chorus and the bridge. + first verse between the second chorus and the bridge. - DELETE BARS operates the same way to remove + DELETE BARS operates the same way to remove - unwanted sections, + unwanted sections.
- Creating a Song + Creating a Song
- One way to create a song is to record each track all the + One way to create a song is to record each track all the - way through (up to 999 bars). Another way is to record + way through (up to 999 bars). Another way is to record - each basic section (verse, chorus, etc.) in individual + each basic section (verse, chorus, etc.) in individual - sequences, then use the CREATE SONG function to “chain” + sequences, then use the CREATE SONG function to “chain” - them together. CREATE SONG will then automatically + them together. CREATE SONG will then automatically - copy all the parts into a new sequence. If desired, you can + copy all the parts into a new sequence. If desired, you can - even set the last few bars to repeat infinitely, for a fadeout. + even set the last few bars to repeat infinitely, for a fadeout.
- Composition Without Compromise + Composition Without Compromise
- The technology you use should never be so complex that + The technology you use should never be so complex that - it interferes with the creative process. That’s precisely why + it interferes with the creative process. That’s precisely why - the LinnSequencer is designed to let you compose, record + the LinnSequencer is designed to let you compose, record - and edit while devoting your undivided attention to your + and edit while devoting your undivided attention to your - music. See your Linn dealer today for a demonstration! + music. See your Linn dealer today for a demonstration!
- * Simple, easy to learn operation—the 32 character LCD display clearly guides you through all operations. If needed, the + 0 Simple, easy to learn operation—the 32 character LCD display clearly guides you through all operations. If needed, the
- HELP button displays additional explanations. + HELP button displays additional explanations.
- * Non-destructive recording—existing notes are not erased while recording. + 0 Non-destructive recording—existing notes are not erased while recording. - ¢ Two FOOTSWITCH INPUTS may be assigned to remotely control many of the commonly used functions, including + 0 Two FOOTSWITCH INPUTS may be assigned to remotely control many of the commonly used functions, including
- ERASE, REPEAT, PLAY/STOP, or LOCATE. + ERASE, REPEAT, PLAY/STOP, or LOCATE.
- ¢ Iwo TRIGGER OUTPUTS may be programmed to output pulses at any selected note value. + 0 Two TRIGGER OUTPUTS may be programmed to output pulses at any selected note value.
- © Will sync to standard LinnDrum or Linn 9000 sync tone. + 0 Will sync to standard LinnDrum or Linn 9000 sync tone.
- © Utilizes ultra high-speed, 8 MHz 80186 16 bit computer internally for FAST operation. + ' Utilizes ultra high—speed, 8 MHz 80186 16 bit computer internally for FAST operation. - * TEMPO may be specified in BEATS-PER-MINUTE or FRAMES-PER-BEAT at 24, 25, or 30 frames per second, + 0 TEMPO may be specified in BEATS-PER—MINUTE or FRAMES-PER—BEAT at 24, 25, or 30 frames per second,
- (even drop frame!) + (even drop frame!)
- ¢ TEMPO may be entered numerically, adjustable in tenths of a Beat-Per-Minute increments, or by tapping quarter notes + 0 TEMPO may be entered numerically, adjustable in tenths of a Beat-Per-Minute increments, or by tapping quarter notes
- on the TAP TEMPO button. + on the TAP TEMPO button.
- ¢ TEMPO CHANGES may be programmed into a sequence, with smooth transitions if desired. + 0 TEMPO CHANGES may be programmed into a sequence, with smooth transitions if desired. - ¢ Any TIME SIGNATURE may be used, and may be changed within a song. + ° Any TIME SIGNATURE may be used, and may be changed within a song.
- linn + E1111 - Linn Electronics, Inc. + Linn Electronics, Inc.
- 18720 Oxnard Street, Tarzana, CA 91356 + 18720 Oxnard Street, Tarzana, CA 91356 - (818) 708-8131 TELEX #298949 LINN UR + (818) 7088131 T ELEX #298949 LINN UR
- The LinnSequencer + The LinnSequencer - 32 Track MIDI Sequence Recorder + 32 Track MIDI Sequence Recorder
- The LinnSequencer is a state-of-the-art composition and performance tool for the professional musician. It is + The LinnSequencer is a state—of—the-art composition and performance tool for the professional musician. It is
- extremely powerful, yet amazingly simple to learn and use. It’s many remarkable features include: + extremely powerful, yet amazingly simple to learn and use. It’s many remarkable features include:
- ¢ Operation is similar to multi-track tape recorder with PLAY, STOP, RECORD, FAST + 0 Operation is similar to multi—track tape recorder with PLAY, STOP, RECORD, FAST - FORWARD, REWIND, and LOCATE controls. + FORWARD, REWIND, and LOCATE controls.
- e Each of the 100 sequences contains 32 simultaneous, polyphonic tracks. Each track may + 0 Each of the 100 sequences contains 32 simultaneous, polyphonic tracks. Each track may - be assigned to one of 16 MIDI channels. Simultaneously plays up to 16 polyphonic + be assigned to one of 16 MIDI channels. Simultaneously plays up to 16 polyphonic
- synthesizers! + synthesizers !
- ¢ Ultra-fast 3%” disk drive stores complex songs in seconds and holds over 110,000 notes + 0 Ultra—fast 3 1/2 ” disk drive stores complex songs in seconds and holds over 110,000 notes
- per disk! + per disk!
- ¢ One or all tracks may be TRANSPOSED at the touch of a key. + 0 One or all tracks may be TRANSPOSED at the touch of a key. - e Exclusive real-time ERASE function makes editing FAST. + 0 Exclusive real—time ERASE function makes editing FAST. - * Exclusive REPEAT function automatically repeats any held notes at a pre-selected + 0 Exclusive REPEAT function automatically repeats any held notes at a pre-selected
- rhythmic value. + rhythmic value.
- ¢ TIMING CORRECTION works during playback and operates without ‘chopping’ notes. + 0 TIMING CORRECTION works during playback and operates without ‘chopping’ notes.
- ¢ Optional SMPTE time code synchronization. + 0 Optional SMPTE time code synchronization.
- © Optional remote control. + 0 Optional remote control.
- Recording a Sequence + Recording 3 Sequence
- To record a sequence, simply press RECORD and PLAY, + To record a sequence, simply press RECORD and PLAY, - then play your MIDI keyboard in time to the Sequencer’s + then play your MIDI keyboard in time to the Sequencer’s - click track. When the sequence loops back around to bar 1, + click track. When the sequence loops back around to bar 1, - you’ ll hear what you played—only all timing errors will be + you’ll hear what you played—only all timing errors will be
- corrected! (Timing correction may be adjusted or defeated). + corrected! (Timing correction may be adjusted or defeated).
- Any additional notes played will be added into the track + Any additional notes played will be added into the track - — existing notes are not erased while recording! + —existing notes are not erased while recording!
- FAST FORWARD, REWIND, and LOCATE controls + FAST FORWARD, REWIND, and LOCATE controls - may be used at any time to quickly access any location in + may be used at any time to quickly access any location in - your sequence for spot-recording. To overdub a new part, + your sequence for spot—recording. To overdub a new part, - select a different track and start recording—while you + select a different track and start recording~while you - record, the first track will play in perfect sync (unless you + record, the first‘track will play in perfect sync (unless you - MUTE it, or SOLO another track). In this way, up to 32 + MUTE it, or SOLO another track). In this way, up to 32 - tracks may be overdubbed! All MIDI effects are recorded + tracks may be overdubbed! All MIDI effects are recorded - including pitch bend, modulation, velocity, aftertouch, + including pitch bend, modulation, velocity, aftertouch, - sustain pedal, and program changes! + sustain pedal, and program changes!
- Editing + Editing
- To erase a wrong note, simply hold ERASE and press + To erase a wrong note, simply hold ERASE and press - the note to be erased just before it plays in the sequence— + the note to be erased just before it plays in the sequence— - when played back, it will be gone. Notes may also be + when played back, it will be gone. Notes may also be
- added, erased, or changed using the SINGLE STEP func- + added, erased, or changed using the SINGLE STEP func- - tion. To overdub notes at specific points within a sequence, + tion. To overdub notes at specific points within a sequence,
- Additional Features + Additional Features
- simply use LOCATE, FAST FORWARD, or REWIND to + simply use LOCATE, FAST FORWARD, or REWIND to - find the desired bar number, then start recording. + find the desired bar number, then start recording.
- The INSERT/COPY function allows you to move bars + The INSERT/COPY function allows you to move bars - from one location to another—in the same sequence or a + from one location to another—in the same sequence or a - different one. For example, you might insert a copy of the + different one. For example, you might insert a copy of the - first verse between the second chorus and the bridge. + first verse between the second chorus and the bridge. - DELETE BARS operates the same way to remove + DELETE BARS operates the same way to remove - unwanted sections, + unwanted sections.
- Creating a Song + Creating a Song
- One way to create a song is to record each track all the + One way to create a song is to record each track all the - way through (up to 999 bars). Another way is to record + way through (up to 999 bars). Another way is to record - each basic section (verse, chorus, etc.) in individual + each basic section (verse, chorus, etc.) in individual - sequences, then use the CREATE SONG function to “chain” + sequences, then use the CREATE SONG function to “chain” - them together. CREATE SONG will then automatically + them together. CREATE SONG will then automatically - copy all the parts into a new sequence. If desired, you can + copy all the parts into a new sequence. If desired, you can - even set the last few bars to repeat infinitely, for a fadeout. + even set the last few bars to repeat infinitely, for a fadeout.
- Composition Without Compromise + Composition Without Compromise
- The technology you use should never be so complex that + The technology you use should never be so complex that - it interferes with the creative process. That’s precisely why + it interferes with the creative process. That’s precisely why - the LinnSequencer is designed to let you compose, record + the LinnSequencer is designed to let you compose, record - and edit while devoting your undivided attention to your + and edit while devoting your undivided attention to your - music. See your Linn dealer today for a demonstration! + music. See your Linn dealer today for a demonstration!
- * Simple, easy to learn operation—the 32 character LCD display clearly guides you through all operations. If needed, the + 0 Simple, easy to learn operation—the 32 character LCD display clearly guides you through all operations. If needed, the
- HELP button displays additional explanations. + HELP button displays additional explanations.
- * Non-destructive recording—existing notes are not erased while recording. + 0 Non-destructive recording—existing notes are not erased while recording. - ¢ Two FOOTSWITCH INPUTS may be assigned to remotely control many of the commonly used functions, including + 0 Two FOOTSWITCH INPUTS may be assigned to remotely control many of the commonly used functions, including
- ERASE, REPEAT, PLAY/STOP, or LOCATE. + ERASE, REPEAT, PLAY/STOP, or LOCATE.
- ¢ Iwo TRIGGER OUTPUTS may be programmed to output pulses at any selected note value. + 0 Two TRIGGER OUTPUTS may be programmed to output pulses at any selected note value.
- © Will sync to standard LinnDrum or Linn 9000 sync tone. + 0 Will sync to standard LinnDrum or Linn 9000 sync tone.
- © Utilizes ultra high-speed, 8 MHz 80186 16 bit computer internally for FAST operation. + ' Utilizes ultra high—speed, 8 MHz 80186 16 bit computer internally for FAST operation. - * TEMPO may be specified in BEATS-PER-MINUTE or FRAMES-PER-BEAT at 24, 25, or 30 frames per second, + 0 TEMPO may be specified in BEATS-PER—MINUTE or FRAMES-PER—BEAT at 24, 25, or 30 frames per second,
- (even drop frame!) + (even drop frame!)
- ¢ TEMPO may be entered numerically, adjustable in tenths of a Beat-Per-Minute increments, or by tapping quarter notes + 0 TEMPO may be entered numerically, adjustable in tenths of a Beat-Per-Minute increments, or by tapping quarter notes
- on the TAP TEMPO button. + on the TAP TEMPO button.
- ¢ TEMPO CHANGES may be programmed into a sequence, with smooth transitions if desired. + 0 TEMPO CHANGES may be programmed into a sequence, with smooth transitions if desired. - ¢ Any TIME SIGNATURE may be used, and may be changed within a song. + ° Any TIME SIGNATURE may be used, and may be changed within a song.
- linn + E1111 - Linn Electronics, Inc. + Linn Electronics, Inc.
- 18720 Oxnard Street, Tarzana, CA 91356 + 18720 Oxnard Street, Tarzana, CA 91356 - (818) 708-8131 TELEX #298949 LINN UR + (818) 7088131 T ELEX #298949 LINN UR
- The LinnSequencer + The LinnSequencer - 32 Track MIDI Sequence Recorder + 32 Track MIDI Sequence Recorder
- The LinnSequencer is a state-of-the-art composition and performance tool for the professional musician. It is + The LinnSequencer is a state—of—the-art composition and performance tool for the professional musician. It is
- extremely powerful, yet amazingly simple to learn and use. It’s many remarkable features include: + extremely powerful, yet amazingly simple to learn and use. It’s many remarkable features include:
- ¢ Operation is similar to multi-track tape recorder with PLAY, STOP, RECORD, FAST + 0 Operation is similar to multi—track tape recorder with PLAY, STOP, RECORD, FAST - FORWARD, REWIND, and LOCATE controls. + FORWARD, REWIND, and LOCATE controls.
- e Each of the 100 sequences contains 32 simultaneous, polyphonic tracks. Each track may + 0 Each of the 100 sequences contains 32 simultaneous, polyphonic tracks. Each track may - be assigned to one of 16 MIDI channels. Simultaneously plays up to 16 polyphonic + be assigned to one of 16 MIDI channels. Simultaneously plays up to 16 polyphonic
- synthesizers! + synthesizers !
- ¢ Ultra-fast 3%” disk drive stores complex songs in seconds and holds over 110,000 notes + 0 Ultra—fast 3 1/2 ” disk drive stores complex songs in seconds and holds over 110,000 notes
- per disk! + per disk!
- ¢ One or all tracks may be TRANSPOSED at the touch of a key. + 0 One or all tracks may be TRANSPOSED at the touch of a key. - e Exclusive real-time ERASE function makes editing FAST. + 0 Exclusive real—time ERASE function makes editing FAST. - * Exclusive REPEAT function automatically repeats any held notes at a pre-selected + 0 Exclusive REPEAT function automatically repeats any held notes at a pre-selected
- rhythmic value. + rhythmic value.
- ¢ TIMING CORRECTION works during playback and operates without ‘chopping’ notes. + 0 TIMING CORRECTION works during playback and operates without ‘chopping’ notes.
- ¢ Optional SMPTE time code synchronization. + 0 Optional SMPTE time code synchronization.
- © Optional remote control. + 0 Optional remote control.
- Recording a Sequence + Recording 3 Sequence
- To record a sequence, simply press RECORD and PLAY, + To record a sequence, simply press RECORD and PLAY, - then play your MIDI keyboard in time to the Sequencer’s + then play your MIDI keyboard in time to the Sequencer’s - click track. When the sequence loops back around to bar 1, + click track. When the sequence loops back around to bar 1, - you’ ll hear what you played—only all timing errors will be + you’ll hear what you played—only all timing errors will be
- corrected! (Timing correction may be adjusted or defeated). + corrected! (Timing correction may be adjusted or defeated).
- Any additional notes played will be added into the track + Any additional notes played will be added into the track - — existing notes are not erased while recording! + —existing notes are not erased while recording!
- FAST FORWARD, REWIND, and LOCATE controls + FAST FORWARD, REWIND, and LOCATE controls - may be used at any time to quickly access any location in + may be used at any time to quickly access any location in - your sequence for spot-recording. To overdub a new part, + your sequence for spot—recording. To overdub a new part, - select a different track and start recording—while you + select a different track and start recording~while you - record, the first track will play in perfect sync (unless you + record, the first‘track will play in perfect sync (unless you - MUTE it, or SOLO another track). In this way, up to 32 + MUTE it, or SOLO another track). In this way, up to 32 - tracks may be overdubbed! All MIDI effects are recorded + tracks may be overdubbed! All MIDI effects are recorded - including pitch bend, modulation, velocity, aftertouch, + including pitch bend, modulation, velocity, aftertouch, - sustain pedal, and program changes! + sustain pedal, and program changes!
- Editing + Editing
- To erase a wrong note, simply hold ERASE and press + To erase a wrong note, simply hold ERASE and press - the note to be erased just before it plays in the sequence— + the note to be erased just before it plays in the sequence— - when played back, it will be gone. Notes may also be + when played back, it will be gone. Notes may also be
- added, erased, or changed using the SINGLE STEP func- + added, erased, or changed using the SINGLE STEP func- - tion. To overdub notes at specific points within a sequence, + tion. To overdub notes at specific points within a sequence,
- Additional Features + Additional Features
- simply use LOCATE, FAST FORWARD, or REWIND to + simply use LOCATE, FAST FORWARD, or REWIND to - find the desired bar number, then start recording. + find the desired bar number, then start recording.
- The INSERT/COPY function allows you to move bars + The INSERT/COPY function allows you to move bars - from one location to another—in the same sequence or a + from one location to another—in the same sequence or a - different one. For example, you might insert a copy of the + different one. For example, you might insert a copy of the - first verse between the second chorus and the bridge. + first verse between the second chorus and the bridge. - DELETE BARS operates the same way to remove + DELETE BARS operates the same way to remove - unwanted sections, + unwanted sections.
- Creating a Song + Creating a Song
- One way to create a song is to record each track all the + One way to create a song is to record each track all the - way through (up to 999 bars). Another way is to record + way through (up to 999 bars). Another way is to record - each basic section (verse, chorus, etc.) in individual + each basic section (verse, chorus, etc.) in individual - sequences, then use the CREATE SONG function to “chain” + sequences, then use the CREATE SONG function to “chain” - them together. CREATE SONG will then automatically + them together. CREATE SONG will then automatically - copy all the parts into a new sequence. If desired, you can + copy all the parts into a new sequence. If desired, you can - even set the last few bars to repeat infinitely, for a fadeout. + even set the last few bars to repeat infinitely, for a fadeout.
- Composition Without Compromise + Composition Without Compromise
- The technology you use should never be so complex that + The technology you use should never be so complex that - it interferes with the creative process. That’s precisely why + it interferes with the creative process. That’s precisely why - the LinnSequencer is designed to let you compose, record + the LinnSequencer is designed to let you compose, record - and edit while devoting your undivided attention to your + and edit while devoting your undivided attention to your - music. See your Linn dealer today for a demonstration! + music. See your Linn dealer today for a demonstration!
- * Simple, easy to learn operation—the 32 character LCD display clearly guides you through all operations. If needed, the + 0 Simple, easy to learn operation—the 32 character LCD display clearly guides you through all operations. If needed, the
- HELP button displays additional explanations. + HELP button displays additional explanations.
- * Non-destructive recording—existing notes are not erased while recording. + 0 Non-destructive recording—existing notes are not erased while recording. - ¢ Two FOOTSWITCH INPUTS may be assigned to remotely control many of the commonly used functions, including + 0 Two FOOTSWITCH INPUTS may be assigned to remotely control many of the commonly used functions, including
- ERASE, REPEAT, PLAY/STOP, or LOCATE. + ERASE, REPEAT, PLAY/STOP, or LOCATE.
- ¢ Iwo TRIGGER OUTPUTS may be programmed to output pulses at any selected note value. + 0 Two TRIGGER OUTPUTS may be programmed to output pulses at any selected note value.
- © Will sync to standard LinnDrum or Linn 9000 sync tone. + 0 Will sync to standard LinnDrum or Linn 9000 sync tone.
- © Utilizes ultra high-speed, 8 MHz 80186 16 bit computer internally for FAST operation. + ' Utilizes ultra high—speed, 8 MHz 80186 16 bit computer internally for FAST operation. - * TEMPO may be specified in BEATS-PER-MINUTE or FRAMES-PER-BEAT at 24, 25, or 30 frames per second, + 0 TEMPO may be specified in BEATS-PER—MINUTE or FRAMES-PER—BEAT at 24, 25, or 30 frames per second,
- (even drop frame!) + (even drop frame!)
- ¢ TEMPO may be entered numerically, adjustable in tenths of a Beat-Per-Minute increments, or by tapping quarter notes + 0 TEMPO may be entered numerically, adjustable in tenths of a Beat-Per-Minute increments, or by tapping quarter notes
- on the TAP TEMPO button. + on the TAP TEMPO button.
- ¢ TEMPO CHANGES may be programmed into a sequence, with smooth transitions if desired. + 0 TEMPO CHANGES may be programmed into a sequence, with smooth transitions if desired. - ¢ Any TIME SIGNATURE may be used, and may be changed within a song. + ° Any TIME SIGNATURE may be used, and may be changed within a song.
- linn + E1111 - Linn Electronics, Inc. + Linn Electronics, Inc.
- 18720 Oxnard Street, Tarzana, CA 91356 + 18720 Oxnard Street, Tarzana, CA 91356 - (818) 708-8131 TELEX #298949 LINN UR + (818) 7088131 T ELEX #298949 LINN UR
- The LinnSequencer + The LinnSequencer - 32 Track MIDI Sequence Recorder + 32 Track MIDI Sequence Recorder
- The LinnSequencer is a state-of-the-art composition and performance tool for the professional musician. It is + The LinnSequencer is a state—of—the-art composition and performance tool for the professional musician. It is
- extremely powerful, yet amazingly simple to learn and use. It’s many remarkable features include: + extremely powerful, yet amazingly simple to learn and use. It’s many remarkable features include:
- ¢ Operation is similar to multi-track tape recorder with PLAY, STOP, RECORD, FAST + 0 Operation is similar to multi—track tape recorder with PLAY, STOP, RECORD, FAST - FORWARD, REWIND, and LOCATE controls. + FORWARD, REWIND, and LOCATE controls.
- e Each of the 100 sequences contains 32 simultaneous, polyphonic tracks. Each track may + 0 Each of the 100 sequences contains 32 simultaneous, polyphonic tracks. Each track may - be assigned to one of 16 MIDI channels. Simultaneously plays up to 16 polyphonic + be assigned to one of 16 MIDI channels. Simultaneously plays up to 16 polyphonic
- synthesizers! + synthesizers !
- ¢ Ultra-fast 3%” disk drive stores complex songs in seconds and holds over 110,000 notes + 0 Ultra—fast 3 1/2 ” disk drive stores complex songs in seconds and holds over 110,000 notes
- per disk! + per disk!
- ¢ One or all tracks may be TRANSPOSED at the touch of a key. + 0 One or all tracks may be TRANSPOSED at the touch of a key. - e Exclusive real-time ERASE function makes editing FAST. + 0 Exclusive real—time ERASE function makes editing FAST. - * Exclusive REPEAT function automatically repeats any held notes at a pre-selected + 0 Exclusive REPEAT function automatically repeats any held notes at a pre-selected
- rhythmic value. + rhythmic value.
- ¢ TIMING CORRECTION works during playback and operates without ‘chopping’ notes. + 0 TIMING CORRECTION works during playback and operates without ‘chopping’ notes.
- ¢ Optional SMPTE time code synchronization. + 0 Optional SMPTE time code synchronization.
- © Optional remote control. + 0 Optional remote control.
- Recording a Sequence + Recording 3 Sequence
- To record a sequence, simply press RECORD and PLAY, + To record a sequence, simply press RECORD and PLAY, - then play your MIDI keyboard in time to the Sequencer’s + then play your MIDI keyboard in time to the Sequencer’s - click track. When the sequence loops back around to bar 1, + click track. When the sequence loops back around to bar 1, - you’ ll hear what you played—only all timing errors will be + you’ll hear what you played—only all timing errors will be
- corrected! (Timing correction may be adjusted or defeated). + corrected! (Timing correction may be adjusted or defeated).
- Any additional notes played will be added into the track + Any additional notes played will be added into the track - — existing notes are not erased while recording! + —existing notes are not erased while recording!
- FAST FORWARD, REWIND, and LOCATE controls + FAST FORWARD, REWIND, and LOCATE controls - may be used at any time to quickly access any location in + may be used at any time to quickly access any location in - your sequence for spot-recording. To overdub a new part, + your sequence for spot—recording. To overdub a new part, - select a different track and start recording—while you + select a different track and start recording~while you - record, the first track will play in perfect sync (unless you + record, the first track will play in perfect sync (unless you - MUTE it, or SOLO another track). In this way, up to 32 + MUTE it, or SOLO another track). In this way, up to 32 - tracks may be overdubbed! All MIDI effects are recorded + tracks may be overdubbed! All MIDI effects are recorded - including pitch bend, modulation, velocity, aftertouch, + including pitch bend, modulation, velocity, aftertouch, - sustain pedal, and program changes! + sustain pedal, and program changes!
- Editing + Editing
- To erase a wrong note, simply hold ERASE and press + To erase a wrong note, simply hold ERASE and press - the note to be erased just before it plays in the sequence— + the note to be erased just before it plays in the sequence— - when played back, it will be gone. Notes may also be + when played back, it will be gone. Notes may also be
- added, erased, or changed using the SINGLE STEP func- + added, erased, or changed using the SINGLE STEP func- - tion. To overdub notes at specific points within a sequence, + tion. To overdub notes at specific points within a sequence,
- Additional Features + Additional Features
- simply use LOCATE, FAST FORWARD, or REWIND to + simply use LOCATE, FAST FORWARD, or REWIND to - find the desired bar number, then start recording. + find the desired bar number, then start recording.
- The INSERT/COPY function allows you to move bars + The INSERT/COPY function allows you to move bars - from one location to another—in the same sequence or a + from one location to another—in the same sequence or a - different one. For example, you might insert a copy of the + different one. For example, you might insert a copy of the - first verse between the second chorus and the bridge. + first verse between the second chorus and the bridge. - DELETE BARS operates the same way to remove + DELETE BARS operates the same way to remove - unwanted sections, + unwanted sections.
- Creating a Song + Creating a Song
- One way to create a song is to record each track all the + One way to create a song is to record each track all the - way through (up to 999 bars). Another way is to record + way through (up to 999 bars). Another way is to record - each basic section (verse, chorus, etc.) in individual + each basic section (verse, chorus, etc.) in individual - sequences, then use the CREATE SONG function to “chain” + sequences, then use the CREATE SONG function to “chain” - them together. CREATE SONG will then automatically + them together. CREATE SONG will then automatically - copy all the parts into a new sequence. If desired, you can + copy all the parts into a new sequence. If desired, you can - even set the last few bars to repeat infinitely, for a fadeout. + even set the last few bars to repeat infinitely, for a fadeout.
- Composition Without Compromise + Composition Without Compromise
- The technology you use should never be so complex that + The technology you use should never be so complex that - it interferes with the creative process. That’s precisely why + it interferes with the creative process. That’s precisely why - the LinnSequencer is designed to let you compose, record + the LinnSequencer is designed to let you compose, record - and edit while devoting your undivided attention to your + and edit while devoting your undivided attention to your - music. See your Linn dealer today for a demonstration! + music. See your Linn dealer today for a demonstration!
- * Simple, easy to learn operation—the 32 character LCD display clearly guides you through all operations. If needed, the + 0 Simple, easy to learn operation—the 32 character LCD display clearly guides you through all operations. If needed, the
- HELP button displays additional explanations. + HELP button displays additional explanations.
- * Non-destructive recording—existing notes are not erased while recording. + 0 Non-destructive recording—existing notes are not erased while recording. - ¢ Two FOOTSWITCH INPUTS may be assigned to remotely control many of the commonly used functions, including + 0 Two FOOTSWITCH INPUTS may be assigned to remotely control many of the commonly used functions, including
- ERASE, REPEAT, PLAY/STOP, or LOCATE. + ERASE, REPEAT, PLAY/STOP, or LOCATE.
- ¢ Iwo TRIGGER OUTPUTS may be programmed to output pulses at any selected note value. + 0 Two TRIGGER OUTPUTS may be programmed to output pulses at any selected note value.
- © Will sync to standard LinnDrum or Linn 9000 sync tone. + 0 Will sync to standard LinnDrum or Linn 9000 sync tone.
- © Utilizes ultra high-speed, 8 MHz 80186 16 bit computer internally for FAST operation. + ' Utilizes ultra high—speed, 8 MHZ 80186 16 bit computer internally for FAST operation. - * TEMPO may be specified in BEATS-PER-MINUTE or FRAMES-PER-BEAT at 24, 25, or 30 frames per second, + 0 TEMPO may be specified in BEATS-PER—MINUTE or FRAMES-PER—BEAT at 24, 25, or 30 frames per second,
- (even drop frame!) + (even drop frame!)
- ¢ TEMPO may be entered numerically, adjustable in tenths of a Beat-Per-Minute increments, or by tapping quarter notes + 0 TEMPO may be entered numerically, adjustable in tenths of a Beat-Per-Minute increments, or by tapping quarter notes
- on the TAP TEMPO button. + on the TAP TEMPO button.
- ¢ TEMPO CHANGES may be programmed into a sequence, with smooth transitions if desired. + 0 TEMPO CHANGES may be programmed into a sequence, with smooth transitions if desired. - ¢ Any TIME SIGNATURE may be used, and may be changed within a song. + ° Any TIME SIGNATURE may be used, and may be changed within a song.
- linn + E1111 - Linn Electronics, Inc. + Linn Electronics, Inc.
- 18720 Oxnard Street, Tarzana, CA 91356 + 18720 Oxnard Street, Tarzana, CA 91356 - (818) 708-8131 TELEX #298949 LINN UR + (818) 7088131 T ELEX #298949 LINN UR
- Multicolor Black + Multicolor Black - Pure Black (K = 100} + Pure Block (K = 100)
- Pure Magenta + Pure Magenta
- Pure Cyan + Pu re Cya n
- Pure Yellow + Pure Yellow
- 4ist ConGREss, } SENATE. { Ex. Doc, + 415T CONGRESS, } SENATE. { Ex. Doc. - 3d Session. No. 25. + 3d Session. No. 25.
- MESSAGE + MESSAGE
- OF THE + OF THE
- PRESIDENT OF THE UNITED STATES, + PRESIDENT OF THE UNITED STATES.
- COMMUNICATING + commcnme
- A copy of regulations for the consular courts of the United States in Japan, + A copy of regulation for the comqu courta of the Um'tmi States in Japan, - decreed and issued by the minister of the United States in that country. + decreed and iesued by the minister of the United States in that country.
- JANUARY 27, 1871,—Read, referred to the Committee on Commerce, and ordered to be + anunr 91, 1571.——Read,refened to me pfimittee on Commerce, and ordered to be - printed. + pun .
- To the Senate and House of Representatives : + 1'» the Senate and House of Reprcommtires :
- I transmit herewith, for the consideration of Congress, a report from + I transmit herewith, for the consideration of Congress, a report from - the Secretary of State, and the papers which accompanied it, concern- + the Secretary of State, and the papers which accompanied it, concern- - ing regulations for the consular courts of the United States in Japan. + ing regulations for the consular courts of the United States in J epan.
- U. 8. GRANT. + U. S. GRAN 1‘.
- ‘WASHINGTON, January 27, 1871. + WASHINGTON, January 27, 1871.
- DEPARTMENT OF STATE, + DEPARTMENT OF STATE, - Washington, January 26, 1870, + Waahinyton, Ja/nuary 26, 1870.
- The Secretary of State has the honor to submit herewith, for revision + The Secretary of State has the honor 1:0 submit herewith for revision - by Congress, in conformity with the provisions of section 6 of the act + by Congress, in conformity with the provisions of section (5 of the act. - approved 22d of June, 1860, a copy of “regulations for the consular + approved 22d of June, 1860, a. copy of “regulations for the consular - courts of the United States in Japan,” decreed and issued by C. BE. + courts of the United States in Japan,” decreed and issued by C. E. - De Long, the minister of the United States in that country, in Septem- + De Long, the minister of the United States in that country, in Septem- - ber, 1870; and also the papers mentioned in the subjoined list, which, + ber, 1870; and also the papers mentioned in the subjoiued list, which. - contain suggestions on the subject thereof. + contain suggestions on the subject thereof.
- A copy of Article XXVI of the consular regulations is also submitted, + A copy of Article XXVI of the consular regulations is also submitted, - and the Secretary of State respectfully suggests, for the consideration + and the Secretary of State respectfully suggests, fur the consideration - of Congress, the propriety of limiting the power of ministers to make + of Congress, the propriety of limiting the power of ministers tomake - decrees and regulation, in the sense in which it is limited by paragraph + deerees and regulation, in the sense, in which it is limited by paragraph - 431 of the article before named—that is, “to acts necessary to organize + 431 of the article before named—that is, “ to acts neeessaryto organize - and give efficiency to the courts created by the act.” + and give efficiency to the courts created by the act.”
- Respectfully submitted. + Respectfully submitted.
- HAMILTON FISH. + HAMILTON FISH.
- The PRESIDENT, + The PRESIDENT.
- List of accompanying papers. + List of accompanying papers.
- 1, Regulations for the consular courts of the United States in Japan. + 1. Regulations for the consular courts of the United States in Japan. - 2, Mr. Fish to Mr. De Long, September 10, 1870, + 2. Mr. Fish to Mr. De Long, September 10, 1870.
- +
- +
- +
- +
@@ -18,95 +18,95 @@
- THEY TIP-TOED ALONG. + THEY TlP-TOBD A LONG.
- ee . + V‘m - - Se We went tip-toeing along a path amongst + N WE went txp-toeing along a path amongst
- the trees back towards the end of the + the trees back towards the end of the - widow’s garden, stooping down so as + widow’s garden, stoopiug down so as - the branches wouldn’t scrape our heads. + the branches wouldn’t scrape our heads. - When we was passing by the kitchen + When we was passing by the kitchen - I fell over a root and made a noise. + I fell over a -root and made a noise. - We scrouched down and laid still. + We scrouched down and laid still. - Miss Watson’s big nigger, named + Miss Watson’s big nigger, named - Jim, was setting in the kitchen door ; + Jim, was setting in the kitchen door; - we could see him pretty clear, because + we could see him pretty clear, because - there was a light behind him. He + there was a light behind him. He - got up and stretched his neck out + got up and stretched his neck out - about a minute, listening. Then he + about a minute, listening. Then he - says, + says,
- “Who dah?” + “Who duh?”
- He listened some more; then he + He listened some more; then he - come tip-toeing down and_ stood + come tip-toeiug down and stood - right between us; we could a touched + right between us; we could a touched - him, nearly. Well, likely it was min- + him, nearly. Well, likely it was min- - utes and minutes that there warn’t a + utes and minutes that there warn’t a - sound, and we all there so close + sound, and we all there so close - together. There was a place on my + together. There was a place on my - ankle that got to itching; but I + ankle that got to itching; but I
- dasn’t scratch it; and then my ear begun to itch; and next my back, right be- + dasn’t scratch it; and then my ear begun to itch; and next my back, right be- - tween my shoulders. Seemed like I’d die if I couldn’t scratch. Well, I’ve + tween my shoulders. Seemed like I’d die if I couldn’t scratch. Well, I’ve
- noticed that thing plenty of times since. + noticed that thing plenty of times since.
- Tf you are with the quality, or at a + If you are With the quality, or at a
- funeral, or trying to go to sleep when you ain’t sleepy—if you are anywheres + funeral, or trying to go to sleep when you ain’t sleepy—if you are anywheres
- Replacement of "creationism" with "intelligent design" + Replacement of "creationism" with "intelligent design"
- +
- + - +
- +
- +
- +
- +
- +
- 120 + 120 - 100 - + 100 - - Cc 80 + “E 80 - > + :5 - 5 + 8 - 5 607 —@— "Creation" and "creationist" + 'O 60 - + "Creation" and "creationist" - 5 —@— "Intelligent design" + :5 —O— "Intelligent design" - = and "design proponent" + ; and "design proponent" - 40 - + 4O - - 20 - + 20 - - —@— —@® + + fi. - 0 e— T T T ' w ° + 0 t I | ' ' T 9 - gp) ee) 0 oN g\ gD) op) + 6’3 <29 <23“ ‘2)“ <6“ <8» 9’9 - oO NC) NC) LN eo N N + \9 \OJ \Q’ ’\ \Q) '\ ’\ - S os o* vs ws os os + AK OK 9\ NK ‘L\ 6\ 6\ - cs) Re ss & ow x & s? + \0q $0 ($0 é ($\\ \6 {>6 - ge ee Oo ss Ss Ne qs + Q50 ‘60 00 6‘ 6K \9 (1/0 - G % S S © S + O ‘b 9 0.: e g - Ros % se se oe AN + .00 ‘6 6’0 {9 5’0 go - Ss 3s S Ss Ss Ss Ss + '5“ 9* o® (0“ Q9 ’00 ’00 - ow? \O Xo) R g g Q + 0K6 \0 \O\ Q Q Q Q
- Replacement of "creationism" with "intelligent design" + Replacement of "creationism" with "intelligent design"
- +
- + - +
- +
- +
- +
- +
- +
- 120 + 120 - 100 4 + 100 - - = 80 + E 80 - — + 3 - S + 8 - _ 6047 —@— "Creation" and "creationist" + .0 60 - + "Creation" and "creationist“ - 5 —@— "Intelligent design" + 5 + "Intelligentdesign" - and "design proponent" + and "design proponent“ - S «4 + E 40 - - 20 - + 20 — - 0 oe I T T T T © + 0 ,7 I I l I T 9 - 3) ©) Ay Ay Ay 9 o>) + '9 <8 '0 '0 0 9h r8\ - ee ow oe oe Cs Cs eS + «9% «9% «9% 'x Q) 9% *8?) x 9 - RQ Q R R XR Q R + K K K K K K K - & es o a al & eo + 0“ $00 96: ,(Jx «(3’ 06:- 213’ - 3 e oe we a? i) as? + 6‘} ‘60 OQ 6‘9 3;? NC: (1’06 - 3 4? 3 & oe & & + (590 4:3 @x 06 (55* 0° (‘53 - oe ww 6 e Qe Qe Qe + 0&6 \Og (>0 0 Q‘b Q9 Q?)
- with a plain face, on the throne of England;
+
+ with a plain face, on the thmne of England;
- there were a king with a large jaw and a queen
+ there werealting witha Iargejaw andaqueen
- with a fair face, on the throne of France. In both
+ with a fair face. an the them at France. In both
- countries it was clearer than crystal to the lords
+ eeunh'ies it was clearer than crystal in the lords
- of the State preserves of loaves and fishes, that
+ of the State preserves of leaves and fishes, that
- things in general were settled for ever.
+ things in general were settled for ever.
- It was the year of Our Lord one thousand
+ It was the year of Our Lord one thousand
- seven hundred and seventy-five. Spiritual reve-
+ seven hundred and seventy-fiye. Spiritual reve-
- lations were conceded to England at that
+ lations were euneedetl to England at that
- favoured period, as at this, Mrs. Southcott had
+ favoured petiod. as at this Mrs. Snutbeutt had
- recently attained her five-and-twentieth blessed
+ recently attained her five-and~Menh'eth blessed
- birthday, of whom a prophetic private in the Life
+ birthday, of whom a pmph-etie private in the Life
- Guards had heralded the sublime appearance by
+ Guards had heralded the sublime appearance by
- announcing that arrangements were made for the
+ aaneuneing that arrangements were made for the
- swallowing up of London and Westminster.
+ swaliewiag up at“ Landau and Westminster.
- Even the Cock-lane ghost had been laid only a
+ Even the Chek—lane ghost had been laid only a
- round dozen of years, after rapping out its mes-
+ round dam of years, after tapping ant its mes-
- sages, as the spirits of this very year last past
+ sages, as the spifits of this very year last past
- (supernaturally deficient in originality) rapped
+ (sUpematurally deficient in originality} rapped
- out theirs. Mere messages in the earthly order of
+ eat theirs. Meme messages in the earthly ertier of
- events had lately come to the English Crown and
+ events had lately come tn the English Crown and
- People, from a congress of British subjects in
+ Feaple. from a eangress of British subjects in
- America: which, strange to relate, have proved
+ America: which. strange to relate, have proved
- more important to the human race than any com-
+ me impnrtant tn the human me than any cem-
- munications yet received through any of the
+ munieatiens yet received through any of the
- chickens of the Cock-lane brood.
+ chickens at” the Chek-lane broad.
+
+
+ France, less favoured en the whole as to mat—
+
+ ters spiritual than her sister of the shield and his
+
+ dent. rolled with exceeding smoethness dawn
+
+ hiiL making paper nteney and spending it. Under
+
+ the guidance of her Christian pastors, she enter-
+
+ tained herself, besides, with such humane
+
+ achievements as sentencing a youth to have his
+
+
+ hands cut off, his tongue tern eat with phteers.
+
+ and his body burned alive, because he had not
+
+ imeeied down in the rain to do heneurtn a dirty
+
+ procession of monks which passed within his
+
+ view, at a distance of some fifty or sixty yards. It
+
+ is likely enough that, rooted in the weeds ef
+
+ France and Norway, there were growing trees,
+
+ when that sufferer was put to death, already
+
+ marked by the Woodman. Fate1 to come down
+
+ and he sawn into beards, to make a certain mev-
+
+ ahle framework with a seek and a knife in it, ter-
+
+ rible in history. It is likely enough that in the
+
+ rough euthauses hf some tillers of the heavy
+
+ lands adjacent te- Paris, there were sheltered
+
+ from the weather that very day, rude cans.
+
+ hespattered with rustic mire, snufi'ed aboat hy
+
+ pigs, and mested in by peuihy, which the
+
+ Farmer, Death, had already set apart to be his
+
+ htmhrils of the Revolutien. But that Woodman
+
+ and that Farmer, though they work uneeashtgly,
+
+ work silently, and no one heard them as they
+
+ went about with muffled tread: the rather, fmas~
+
+ mush as to entertain any suspicion that they
+
+ were awake, was to he atheistieal and traithraus.
- France, less favoured on the whole as to mat-
+
+ In England, there was seamely an ameunt of
- ters spiritual than her sister of the shield and tri-
+ order and preteetinn to justify much natienal
- dent, rolled with exceeding smoothness down
+ heasting. Daring burglaries by armed men. and
- hill, making paper money and spending it. Under
+ highway rehheries, tenit plaee in the capital
- the guidance of her Christian pastors, she enter-
+ itself every night; families were publicly eau-
- tained herself, besides, with such humane
+ tinned net to gen out at" town without removing
- achievements as sentencing a youth to have his
+ their fitmiture ta uphhlsterers' warehouses for
-
- hands cut off, his tongue torn out with pincers,
+ security; the highwayman in the dark was a City
- and his body burned alive, because he had not
-
- kneeled down in the rain to do honour to a dirty
-
- procession of monks which passed within his
-
- view, at a distance of some fifty or sixty yards. It
-
- is likely enough that, rooted in the woods of
-
- France and Norway, there were growing trees,
-
- when that sufferer was put to death, already
-
- marked by the Woodman, Fate, to come down
-
- and be sawn into boards, to make a certain mov-
-
- able framework with a sack and a knife in it, ter-
-
- rible in history. It is likely enough that in the
-
- rough outhouses of some tillers of the heavy
-
- lands adjacent to Paris, there were sheltered
-
- from the weather that very day, rude carts,
-
- bespattered with rustic mire, snuffed about by
-
- pigs, and roosted in by poultry, which the
-
- Farmer, Death, had already set apart to be his
-
- tumbrils of the Revolution. But that Woodman
-
- and that Farmer, though they work unceasingly,
-
- work silently, and no one heard them as they
-
- went about with muffled tread: the rather, foras-
-
- much as to entertain any suspicion that they
-
- were awake, was to be atheistical and traitorous.
-
-
- In England, there was scarcely an amount of
-
- order and protection to justify much national
-
- boasting. Daring burglaries by armed men, and
-
- highway robberies, took place in the capital
-
- itself every night; families were publicly cau-
-
- tioned not to go out of town without removing
-
- their furniture to upholsterers' warehouses for
-
- security; the highwayman in the dark was a City
-
- tradesman in the light, and, being recognised and
+ tradesmen in the light, and, being recognised and
- with a plain face, on the throne of England;
+ with a plain face, on the throne of England;
- there were a king with a large jaw and a queen
+ there were a king with a large jaw and a queen
- with a fair face, on the throne of France. In both
+ with a fair face, on the throne of France. In both
- countries it was clearer than crystal to the lords
+ countries it was clearer than crystal to the lords
- of the State preserves of loaves and fishes, that
+ of the State preserves of loaves and fishes, that
- things in general were settled for ever.
+ things in general were settled for ever.
- It was the year of Our Lord one thousand
+ It was the year of Our Lord one thousand
- seven hundred and seventy-five. Spiritual reve-
+ seven hundred and seventy-five. Spiritual reve-
- lations were conceded to England at that
+ lations were conceded to England at that
- favoured period, as at this. Mrs. Southcott had
+ favoured period, as at this. Mrs. Southcott had
- recently attained her five-and-twentieth blessed
+ recently attained her five-and-twentieth blessed
- birthday, of whom a prophetic private in the Life
+ birthday, of whom a prophetic private in the Life
- Guards had heralded the sublime appearance by
+ Guards had heralded the sublime appearance by
- announcing that arrangements were made for the
+ announcing that arrangements were made for the
- swallowing up of London and Westminster.
+ swallowing up of London and Westminster.
- Even the Cock-lane ghost had been laid only a
+ Even the Cock-lane ghost had been laid only a
- round dozen of years, after rapping out its mes-
+ round dozen of years, after rapping out its mes-
- sages, as the spirits of this very year last past
+ sages, as the spirits of this very year last past
- (supernaturally deficient in originality) rapped
+ (supematurally deficient in originality) rapped
- out theirs. Mere messages in the earthly order of
+ out theirs. Mere messages in the earthly order of
- events had lately come to the English Crown and
+ events had lately come to the English Crown and
- People, from a congress of British subjects in
+ People, from a congress of British subjects in
- America: which, strange to relate, have proved
+ America: which, strange to relate, have proved
- more important to the human race than any com-
+ more important to the human race than any com-
- munications yet received through any of the
+ munications yet received through any of the
- chickens of the Cock-lane brood.
+ chickens of the Cock-lane brood.
- France, less favoured on the whole as to mat-
+ France, less favoured on the whole as to mat-
- ters spiritual than her sister of the shield and tri-
+ ters spiritual than her sister of the shield and hi-
- dent, rolled with exceeding smoothness down
+ dent, rolled with exceeding smoothness down
- hill, making paper money and spending it. Under
+ hill, making paper money and spending it. Under
- the guidance of her Christian pastors, she enter-
+ the guidance of her Christian pastors, she enter-
- tained herself, besides, with such humane
+ tained herself, besides, with such humane
- achievements as sentencing a youth to have his
+ achievements as sentencing a youth to have his
- hands cut off, his tongue torn out with pincers,
+ hands cut off, his tongue torn out with pincers,
- and his body burned alive, because he had not
+ and his body burned alive, because he had not
- kneeled down in the rain to do honour to a dirty
+ kneeled down in the rain to do honour to a dirty
- procession of monks which passed within his
+ procession of monks which passed within his
- view, at a distance of some fifty or sixty yards. It
+ view, at a distance of some fifty or sixty yards. It
- is likely enough that, rooted in the woods of
+ is likely enough that, rooted in the woods of
- France and Norway, there were growing trees,
+ France and Norway, there were growing trees,
- when that sufferer was put to death, already
+ when that sufi‘erer was put to death, already
- marked by the Woodman, Fate, to come down
+ marked by the Woodman, Fate, to come down
- and be sawn into boards, to make a certain mov-
+ and be sawn into boards, to make a certain mov-
- able framework with a sack and a knife in it, ter-
+ able framework with a sack and a knife in it, ter—
- rible in history. It is likely enough that in the
+ rible in history. It is likely enough that in the
- rough outhouses of some tillers of the heavy
+ rough outhouses of some tillers of the heavy
- lands adjacent to Paris, there were sheltered
+ lands adjacent to Paris, there were sheltered
- from the weather that very day, rude carts,
+ from the weather that very day, rude carts,
- bespattered with rustic mire, snuffed about by
+ bespattered with rustic mire, snuffed about by
- pigs, and roosted in by poultry, which the
+ pigs, and roosted in by poultry, which the
- Farmer, Death, had already set apart to be his
+ Farmer, Death, had already set apart to be his
- tumbrils of the Revolution. But that Woodman
+ tumbrils of the Revolution. But that Woodman
- and that Farmer, though they work unceasingly,
+ and that F armer, though they work unceasingly,
- work silently, and no one heard them as they
+ work silently, and no one heard them as they
- went about with muffled tread: the rather, foras-
+ went about with muffled tread: the rather, foras—
- much as to entertain any suspicion that they
+ much as to entertain any suspicion that they
- were awake, was to be atheistical and traitorous.
+ were awake, was to be atheistical and traitorous.
- In England, there was scarcely an amount of
+ In England, there was scarcely an amount of
- order and protection to justify much national
+ order and protection to justify much national
- boasting. Daring burglaries by armed men, and
+ boasting. Daring burglaries by armed men, and
- highway robberies, took place in the capital
+ highway robberies, took place in the capital
- itself every night; families were publicly cau-
+ itself every night; families were publicly cau-
- tioned not to go out of town without removing
+ tioned not to go out of town without removing
- their furniture to upholsterers' warehouses for
+ their furniture to upholsterers' warehouses for
- security; the highwayman in the dark was a City
+ security; the highwayman in the dark was a City
- tradesman in the light, and, being recognised and
+ tradesman in the light, and, being recognised and
- 41st CONGRESS, } SENATE.
+ 4151‘ CONQRESS, } SEJATE.
- 3d Session.
+ 311 Smyrna.
- MESSAGE
+ MESSAGE
- OF THE
+ 111: THE
- PRESIDENT OF THE UNITED STATES
+ PRESIDENT OF THE UNITED STATE‘
- A copy of regulations for the consular courts of the United States in Japan,
+ A cupyo/ m:nlnlimm /'1n N11: zunmlluz 11111111 11/ Mr I nitul Mnlm in Japan,
- decreed and issued by the minister of the United States in that country.
+ 1101:1111] 11ml ixxuul by 1/11 11111111111 11f (/14: ( nilcrI 18111191 111 that mummy.
- Janvary 27, 1871—Read, referred to the Committee on Commerce, and ordered to be
+ 11511111727, 1-71.41md,111111-111 11111.1: ('01....m1v1- 1m {111111111011151111111n'1'lur1e11tohc
- printed,
+ 1111,1111.
- To the Senate and House of Representatives :
+ To the Sandro 11ml HOME 11/ [1’11” 1tari r1 :
- I transmit herewith, for the consideration of Congress, a report from
+ I transmit hurowith {111‘ tlw 1~111 idm tiun ol' (‘onm'cxe :1 1-1-11111't from
- the Secretary of State, and the papers which accompanied it, concern-
+ the Sovrvlnry 111' Stat .11111l 1111- 1111111) > “hivh 1111111111111" *11 it, 1'1111c1-r11-
- ing regulations for the consular courts of the United States in Ja
+ 111g regulations for the mnsulau' courts ut' the United Stuns iu J11
- U. 8. GRAN
+ U. S. C- RA)
- WASHINGTON, January 27, 1871.
+ WAsmNuTox, January 27, 1871,
- DEPARTMENT OF STATE,
+ DEPARTm: "r 111: STATE,
- Washington, January 26, 1870.
+ “'11sh1'nyl1m, January 26, 1870.
- The Secretary of State has the honor to submit herewith, for revision
+ The Secretary 111' State I the honor to mllnnit l1e1‘e\\'it]1,1hr 1'1-v 'on
- by Congress, in conformity with the provisions of section 6 of the act
+ 11)} (,‘ongrv' , in 01111111111111) \ch the pravisinns of auction ii 01' the t
- approved 22d of June, 1860, a copy of “regulations for the consular
+ :lmn‘nvod 2211 11f Juno, 13130, 11 mpy nl' “rvgululinns fur th1> 1-01m1111u'
- courts of the United States in Japan,” decreed and issued by C. E.
+ l‘UIlHS 1vf1hv l'nitml Stairs in 1111111111," 111-01 1-11 film] i uml h_\' 1‘. E.
- De Long, the minister of the United States in that country, in Septem-
+ I)1» Lung. th1-1ninislvr 111' the l'nitod 31111115111 that connh'~ , in vatum-
- ber, 1870; and also the papers mentioned in the subjoined list, which
+ In'rY 1870; 111ml 'lsu tl11- 1111111-1's Inoutiunnd in the s11bj111111:1l list, which
- contain suggestions on the subject thereof. :
+ contain 511,2}; ti111 011 thl- suhimt theu-ol'. '
- A copy of Art XVI of the consist regulations so Submitted,
+ A cupy 111‘ All \\ I 111 the 111115111111' 11 gulmions 511 submitted,
- and the Secretary of r i ly , for the consideration
+ and tho, ‘ -' ' ' ' " tin tho umidul'utiuu
- of ministers to make
+ , ot minist w tnnuke
- ion, in the sense in which it is limited by paragraph
+ 11m in the wnsa 1'11 \1hi1:h it 15 liu1it1-1l by paragraph
- 431 of the e be: fore named—that is, “ to acts necessary to organize
+ $151 of the c 111 fine 111111101l—th is, 1. 111 11114 111- 5.5111311: organize.
- and give efficiency to the courts created by the act.”
+ 111111 giw i'll'n -11m‘ 11) the comts 010111011 1n H11: 11 "
- Respectful submitted.
+ Il(‘~1wct1'|ll subunttcd.
- HAMILTON FISH.
+ HAMILTON l’lb‘fl.
- The PRESIDENT.
+ The PRESIDENT.
- List of accompanying papers.
+ Lixt of (Iwnnpunyiny papers.
- 1. Regulations for the consular courts of the United States in Japan.
+ 1. Regl 111111115 for the consular courts 111' tlu- United States in Jupml.
- 2. Mr. Fish to Mr. De Long, September 10, 1870,
+ .3. Mr. klsh [1) )11'. De Lung;1 Septuuber 10V 1570.
-
+
- The LinnSequencer
+ The LinnSequencer
- 32 Track MIDI Sequence Recorder
+ 32 Track MIDI Sequence Recorder
- The LinnSequencer is a state-of-the-art composition and performance tool for the professional musician. It is
+ The LinnSequencer is a state—of—the-art composition and performance tool for the professional musician. It is
- extremely powerful, yet amazingly simple to learn and use. It’s many remarkable features include:
+ extremely powerful, yet amazmgly simple to learn and use. It’s many remarkable features include:
- * Operation is similar to multi-track tape recorder with PLAY, STOP, RECORD, FAST
+ 0 Operation is similar to multi—track tape recorder with PLAY, STOP, RECORD, FAST
- FORWARD, REWIND, and LOCATE controls.
+ FORWARD, REWIND, and LOCATE controls.
- © Each of the 100 sequences contains 32 simultaneous, polyphonic tracks. Each track may
+ 0 Each of the 100 sequences contains 32 simultaneous, polyphonic tracks. Each track may
- be assigned to one of 16 MIDI channels, Simultaneously plays up to 16 polyphonic
+ be assigned to one of 16 MIDI channels. Simultaneously plays up to 16 polyphonic
- synthesizers!
+ synthesizers !
- ® Ultra-fast 3'4” disk drive stores complex songs in seconds and holds over 110,000 notes
+ 0 UItra—fast 3 1/2 ” disk drive stores complex songs in seconds and holds over 110,000 notes
- per disk!
+ per disk!
- * One or all tracks may be TRANSPOSED at the touch of a key.
+ 0 One or all tracks may be TRANSPOSED at the touch of a key.
- * Exclusive real-time ERASE function makes editing FAST,
+ 0 Exclusive real-time ERASE function makes editing FAST.
- * Exclusive REPEAT function automatically repeats any held notes at a pre-selected
+ 0 Exclusive REPEAT function automatically repeats any held notes at a preselected
- rhythmic value.
+ rhythmic value.
- * TIMING CORRECTION works during playback and operates without ‘chopping’ notes.
+ 0 TIMING CORRECTION works during playback and operates without ‘chopping’ notes.
- * Optional SMPTE time code synchronization.
+ 0 Optional SMPTE time code synchronization.
- * Optional remote control.
+ 0 Optional remote control.
- Recording a Sequence
+ Recording 3 Sequence
- To record a sequence, simply press RECORD and PLAY,
+ To record a sequence, simply press RECORD and PLAY,
- then play your MIDI keyboard in time to the Sequencer’s
+ then play your MIDI keyboard in time to the Sequencer’s
- click track. When the sequence loops back around to bar 1,
+ click track. When the sequence loops back around to bar 1,
- you’ll hear what you played—only all timing errors will be
+ you’ll hear what you played—only all timing errors will be
- corrected! (Timing correction may be adjusted or defeated).
+ corrected! (Timing correction may be adjusted or defeated).
- Any additional notes played will be added into the track
+ Any additional notes played will be added into the track
- —existing notes are not erased while recording!
+ ——existing notes are not erased while recording!
- FAST FORWARD, REWIND, and LOCATE controls
+ FAST FORWARD, REWIND, and DOCATE controls
- may be used at any time to quickly access any location in
+ may be used at any time to quickly access any location in
- your sequence for spot-recording. To overdub a new part,
+ your sequence for spot—recording. To overdub a new part,
- select a different track and Start recording—while you
+ select a different track and start recordinghwhile you
- record, the first track will play in perfect sync (unless you
+ record, the first‘track will play in perfect sync (unless you
- MUTE it, or SOLO another track). In this way, up to 32
+ MUTE it, or SOLO another track). In this way, up to 32
- tracks may be overdubbed! AI] MIDI effects are recorded
+ tracks may be overdubbed! All MIDI effects are recorded
- including pitch bend, modulation, velocity, aftertouch,
+ including pitch bend, modulation, velocity, aftertouch,
- sustain pedal, and program changes!
+ sustain pedal, and program changes!
- Editing
+ Editing
- To erase a wrong note, simply hold ERASE and press
+ To erase a wrong note, simply hold ERASE and press
- the note to be erased just before it plays in the sequence—
+ the note to be erased just before it plays in the sequence—
- when played back, it will be gone. Notes may also be
+ when played back, it will be gone. Notes may also be
- added, erased, or changed using the SINGLE STEP func-
+ added, erased, or changed using the SINGLE STEP func—
- tion. To overdub notes at specific points within a sequence,
+ tion. To overdub notes at specific points within a sequence,
- Additional Features
+ Additional Features
- simply use LOCATE, FAST FORWARD, or REWIND to
+ simply use LOCATE, FAST FORWARD, or REWIND to
- find the desired bar number, then start recording.
+ find the desired bar number, then start recording.
- The INSERT/COPY function allows you to move bars
+ The INSERT/COPY function allows you to move bars
- from one location to another—in the same sequence or a
+ from one location to another~in the same sequence or a
- different one. For example, you might insert a copy of the
+ different one. For example, you might insert a copy of the
- first verse between the second chorus and the bridge.
+ first verse between the second chorus and the bridge.
- DELETE BARS operates the same way to remove
+ DELETE BARS operates the same way to remove
- unwanted sections,
+ unwanted sections.
- Creating a Song
+ Creating a Song
- One way to create a song is to record each track all the
+ One way to create a song is to record each track all the
- way through (up to 999 bars). Another way is to record
+ way through (up to 999 bars). Another way is to record
- each basic section (verse, chorus, etc.) in individual
+ each basic section (verse, chorus, etc.) in individual
- sequences, then use the CREATE SONG function to “chain”
+ sequences, then use the CREATE SONG function to “chain”
- them together. CREATE SONG will then automatically
+ them together. CREATE SONG will then automatically
- copy all the parts into a new sequence. If desired, you can
+ copy all the parts into a new sequence. If desired, you can
- even set the last few bars to repeat infinitely, for a fadeout.
+ even set the last few bars to repeat infinitely, for a fadeout.
- Composition Without Compromise
+ Composition Without Compromise
- The technology you use should never be so complex that
+ The technology you use should never be so complex that
- it interferes with the creative process, That’s precisely why
+ it interferes with the creative process. That’s precisely why
- the LinnSequencer js designed to let you compose, record
+ the LinnSequencer is designed to let you compose, record
- and edit while devoting your undivided attention to your
+ and edit while devoting your undivided attention to your
- music. See your Linn dealer today for a demonstration!
+ music. See your Linn dealer today for a demonstration!
- * Simple, easy to learn operation—the 32 character LCD display clearly guides you through all operations. If needed, the
+ ' Simple, easy to learn operation—the 32 character LCD display clearly guides you through all operations. If needed, the
- HELP button displays additional explanations.
+ HELP button displays additional explanations.
- * Non-destructive recording—existing notes are not erased while recording.
+ ' Non—destructive recording~existing notes are not erased while recording.
- * Two FOOTSWITCH INPUTS may be assigned to remotely control many of the commonly used functions, including
+ O Two FOOTSWITCH INPUTS may be assigned to remotely control many of the commonly used functions, including
- OCATE.
+ OCATE.
- ERASE, REPEAT, PLAY/ STOP, or L
+ ERASE, REPEAT, PLAY/STOP, or L
- * Two TRIGGER OUTPUTS may be programmed to output pulses at any selected note value.
+ 0 Two TRIGGER OUTPUTS may be programmed to output pulses at any selected note value.
- * Will sync to standard LinnDrum or Linn 9000 sync tone.
+ 0 Will sync to standard LinnDrum or Linn 9000 sync tone.
- * Utilizes ultra high-speed, 8 MHz 80186 16 bit computer internally for FAST operation.
+ - Utilizes ultra high—speed, 8 MHz 80186 16 bit computer internally for FAST operation.
- * TEMPO may be specified in BEATS-PER-MINUTE or FRAMES-PER-BEAT at 24, 25, or 30 frames per second,
+ 0 TEMPO may be specified in BEATS-PER—MINUTE or FRAMES-PER—BEAT at 24, 25, or 30 frames per second,
- (even drop frame!)
+ (even drop frame!)
- * TEMPO may be entered numerically, adjustable in tenths of a Beat-Per-Minute increments, or by tapping quarter notes
+ 0 TEMPO may be entered numerically, adjustable in tenths of a Beat-Per—Minute increments, or by tapping quarter notes
- on the TAP TEMPO button.
+ on the TAP TEMPO button.
- * TEMPO CHANGES may be programmed into a sequence,
+ ' TEMPO CHANGES may be programmed into a sequence,
- * Any TIME SIGNATURE May be used, and may be change
+ ‘ Any TIME SIGNATURE may be used, and may be change
- with smooth transitions if desired.
+ with smooth transitions if desired.
- d within a song.
+ d within a song.
- linn
+ E1111
- Linn Electronics, Inc.
+ Linn Electronics, Inc.
- 18720 Oxnard Street, Tarzana, CA 91356
+ 18720 Oxnard Street, Tarzana, CA 91356
- (818) 708-8131 TELEX #298949 LINN UR
+ (818) 708-8131TELEX #298949 LINN UR
- The LinnSequencer
+ The LinnSequencer
- 32 Track MIDI Sequence Recorder
+ 32 Track MIDI Sequence Recorder
- The LinnSequencer is a state-of-the-art composition and performance tool for the professional musician. It is
+ The LinnSequencer is a state—of—the-art composition and performance tool for the professional musician. It is
- extremely powerful, yet amazingly simple to learn and use. It ’s many remarkable features include:
+ extremely powerful, yet amazingly simple to learn and use. It ’5 many remarkable features include:
- * Operation is similar to multi-track tape recorder with PLAY, STOP, RECORD, FAST
+ 0 Operation is similar to multi—track tape recorder with PLAY, STOP, RECORD, FAST
- FORWARD, REWIND, and LOCATE controls,
+ FORWARD, REWIND, and LOCATE controls.
- © Each of the 100 sequences contains 32 simultaneous, polyphonic tracks. Each track may
+ 0 Each of the 100 sequences contains 32 simultaneous, polyphonic tracks. Each track may
- be assigned to one of 16 MIDI channels. Simultaneously plays up to 16 polyphonic
+ be assigned to one of 16 MIDI Channels. Simultaneously plays up to 16 polyphonic
- synthesizers!
+ synthesizers!
- * Ultra-fast 314" disk drive stores complex songs in seconds and holds over 110,000 notes
+ 0 Ultra—fast 3 1/2 ” disk drive stores complex songs in seconds and holds over 110,000 notes
- per disk!
+ per disk!
- * One or all tracks may be TRANSPOSED at the touch of a key.
+ 0 One or all tracks may be TRANSPOSED at the touch of a key.
- ¢ Exclusive real-time ERASE function makes editing FAST,
+ 0 Exclusive reaI-time ERASE function makes editing FAST.
- * Exclusive REPEAT function automatically repeats any held notes at a pre-selected
+ 0 Exclusive REPEAT function automatically repeats any held notes at a preselected
- rhythmic value.
+ rhythmic value.
- * TIMING CORRECTION works during playback and operates without ‘chopping’ notes,
+ 0 TIMING CORRECTION works during playback and operates without ‘chopping’ notes.
- ¢ Optional SMPTE time code synchronization.
+ 0 Optional SMPTE time code synchronization.
- * Optional remote control.
+ 0 Optional remote control.
- Recording a Sequence simply use LOCATE, FAST FORWARD, or REWIND to
+ Recording 3 Sequence simply use LOCATE, FAST FORWARD, or REWIND to
- To record a sequence, simply press RECORD and PL AY, _ find the desired bar number, then Start recording.
+ To record a sequence, simply press RECORD and PLAY, find the desired bar number, then start recording.
- then play your MIDI keyboard in time to the Sequencer’s The INSERT/COPY function allows you to move bars
+ then play your MIDI keyboard in time to the Sequencer’s The INSERT/COPY functlon allows you to move bars
- click track, When the sequence loops back around to bar 1, from one location to another—in the same sequence or a
+ click track. When the sequence loops back around to bar 1, ftom one locatlon t0 anotherum the same sequence or a
- you'll hear what you played—only all timing errors will be _different one. For example, you might insert a copy of the
+ you’ll hear what you playedw—only all timing errors will be clifferent one. For example, you mlght msert 3 copy 0f the
- corrected! (Timing correction may be adjusted or defeated), _ first verse between the second chorus and the bridge.
+ corrected! (Timing correction may be adjusted 0r defeated). first verse between the second chorus and thfl budge.
- Any additional notes played will be added into the track DELETE BARS operates the same way to remove
+ Any additional notes played will be added into the track DELETE BARS operates the same way to remove
- —existing notes are not erased while recording! unwanted sections,
+ —existing notes are not erased while recording! unwanted sectlons.
- FAST FORWARD, REWIND, and LOCATE controls .
+ FAST FORWARD, REWIND, and LOCATE controls .
- may be used at any time to quickly access any location in Creating a Song
+ may be used at any time to quickly access any location in Creatlng a Song
- your sequence for spot-recording. To overdub a new part, One way to create a song is to record each track all the
+ your sequence for spot—recording. To overdub a new part, One way to create a song is to record each. track all the
- select a different track and start recording—while you way through (up to 999 bars), Another way is to record
+ select a different track and start recordingmwhile you way through 0319 to 999 bars). AflOth€F_ WW {S l0 record
- record, the first track will play in perfect sync (unless you each basic section (verse, chorus, etc.) in individual
+ record, the first‘track will play in perfect sync (unless you each basu: 56011011 (verse, chorus, 610-) m 1nd1v1dua1
- MUTE it, or SOLO another track). In this way, up to 32 sequences, then use the CREATE SONG function to “chain”
+ MUTE it, or SOLO another track). In this way, up 10 32 sequences, then use the CREATE SONG function to “chain”
- tracks may be overdubbed! All MIDI effects are recorded them together. CREATE SONG will then automatically
+ tracks may be overdubbed! All MIDI effects are recorded them together. CREATE SONG Will then automatically
- including pitch bend, modulation, velocity, aftertouch, Copy all the parts into a new sequence. If desir ed, you can
+ including pitch bend, modulation, velocity, aftertouch, COPY 311 the parts into a new sequence. If desired, YOU can
- sustain pedal, and program changes! even set the last few bars to repeat infinitely, for a fadeout.
+ sustain pedal, and program changes 1 even set the last few bars to repeat infinitely, for a fadeout.
- Editing Composition Without Compromise
+ Editing Composition Without Compromise
- To erase a wrong note, simply hold ERASE and press The technology you use should never be so complex that
+ To erase a wrong note, simply hold ERASE and press The technology you use should never be so complex that
- the note to be erased just before it plays in the sequence— it interferes with the creative process. That’s precisely why
+ the note to be erased just before it plays in the sequence»- it interferes with the creative process. That’s precisely why
- when played back, it will be gone. Notes may also be the LinnSequencer is designed to let you compose, record
+ when played back, it will be gone. Notes may also be the LinnSequencer is designed to let you compose, record
- added, erased, or changed using the SINGLE STEP func- and edit while devoting your undivided attention to your
+ added, erased, or changed using the SINGLE STEP func~ and edit while devoting your undivided attention to your
- tion. To overdub notes at specific points within a Sequence, — music. See your Linn dealer today for a demonstration!
+ tion. To overdub notes at specific points within a sequence, music. See your Linn dealer today for a demonstration!
- Additional Features
+ Additional Features
- * Simple, easy to learn operation—the 32 character LCD display clearly guides you through all operations, If needed, the
+ 0 Simple, easy to learn operation—the 32 character LCD display clearly guides you through all operations. If needed, the
- HELP button displays additional explanations,
+ HELP button displays additional explanations.
- * Non-destructive recording—existing notes are not erased while recording.
+ ' Nondestructive recording—uexisting notes are not erased while recording.
- * Two FOOTSWITCH INPUTS may be assigned to remotely control many of the commonly used functions, including
+ ' Two FOOTSWITCH INPUTS may be assigned to remotely control many of the commonly used functions, including
- ERASE, REPEAT, PLAY/ STOP, or LOCATE,
+ ERASE, REPEAT, PLAY/STOP, or LOCATE.
- * Two TRIGGER OUTPUTS may be programmed to output pulses at any selected note value.
+ 0 Two TRIGGER OUTPUTS may be programmed to output pulses at any selected note value.
- © Will sync to standard LinnDrum or Linn 9000 sync tone,
+ 0 Will sync to standard LinnDrum or Linn 9000 sync tone.
- * Utilizes ultra high-speed, 8 MHz 80186 16 bit computer internally for FAST operation.
+ 0 Utilizes ultra high-speed, 8 MHz 8018616 bit computer internally for FAST operation.
- * TEMPO may be specified in BEATS-PER-MINUTE or FRAMES-PER-BEAT at 24, 25, or 30 frames per second,
+ 0 TEMPO may be specified in BEATS—PER—MINUTE or FRAMES-PER-BEAT at 24, 25, or 30 frames per second,
- (even drop frame!)
+ (even drop frame!)
- * TEMPO may be entered numerically, adjustable in tenths of a Beat-Per-Minute increments, or by tapping quarter notes
+ 0 TEMPO may be entered numerically, adjustable in tenths of a Beat-Per—Minute increments, or by tapping quarter notes
- on the TAP TEMPO button.
+ on the TAP TEMPO button.
- * TEMPO CHANGES may be programmed into a sequence, with smooth transitions if desired.
+ ' TEMPO CHANGES may be programmed into a sequence, with smooth transitions if desired.
- « Any TIME SIGNATURE may be used, and may be changed within a song.
+ 0 Any TIME SIGNATURE may be used, and may be changed within a song.
- linn
+ E1111
- Linn Electronics, Inc.
+ Linn Electronics, Inc.
- 18720 Oxnard Street, Tarzana, CA 91356
+ 18720 Oxnard Street, Tarzana, CA 91356
- (818) 708-8131 TELEX #298949 LINN UR
+ (818) 7088131 TELEX #298949 LINN UR