> **Last reviewed:** 2026-10-12 · **Last updated:** 2026-10-13 · **Change:** minor (earlier: PDF write one flattened page via Save As / Save a Copy / CLI, #3401; CMYK Invert, Posterize and Threshold on the inks; smart filter masks on PSD open and save; Photoshop-oracle floor 188/258; lossy DNG, compression 34892, decodes with its levels and LinearizationTable applied to the stored 8-bit samples, FILE-215-11; CMYK Hue/Saturation and Color Balance keep the black ink; CMYK Posterize on the stored values, psd-tools oracle floor 242/309; CMYK adjustment layers composite on the document's inks; Photoshop-oracle floor 165/258; CMYK Brightness/Contrast on the inks, CMYK Threshold's luma; modern Brightness/Contrast's brightness curve; Photoshop-oracle floor 151/258; Lab documents composite on their stored L, a, b; Photoshop-oracle floor 152/258; Levels on whole levels at every step with Photoshop's shadow toe; Photoshop-oracle floor 146/258, psd-tools 238/309; 32-bit adjustments unclipped; Photoshop-oracle floor 149/258; mask feathers blur with their exact variance; Threshold splits on Photoshop's luminosity; a pass-through clipping base with an adjustment renders isolated; psd-tools oracle floor 240/309; 16-bit Posterize as Photoshop bins it; psd-tools oracle floor 241/309; Gradient Map luminosity; Photoshop-oracle floor 147/258; PSD: `Mt16`/`Mt32` merged transparency read; palette PNGs open in Indexed Color mode, #4804; earlier: CMYK Invert, Posterize and Threshold on the inks; 16-bit Lab Invert; Photoshop-oracle floor 145/258; `.atn` import maps 112 events; DDS textures open, #1327; DPX read and write, #1049; #2465 fixed: CS2 placed layers with only a `PlLd` block open their contents; Photoshop Actions `.atn` read and write; `.shc` contour files read and write; earlier the same day: indexed BMP palette mode; Save keeps a JPEG's quality and a WebP's encoding) · **Target:** Adobe Photoshop 2026
| PNG | R/W | yes | yes | 8/16-bit, ICC/text; APNG first frame only; alpha channels on open (#2225); palette PNGs open in Indexed Color mode with their transparent entry (#4804) |
| GIF | R/W | yes | yes | File › Open keeps the first frame; New Video Layer from File and Video Frames to Layers take every frame, with the timeline rate from the delays (#572). Per-frame delays and keeping the frames in `.pcraft` are not done |
| WebP | R/W | yes | yes | Lossless and our own lossy VP8 encoder; ICC/EXIF/XMP; Save keeps an opened file lossy (at its quality) or lossless (#2399) |
| Photoshop PDF | R/W | no (#2541) | yes, one flattened page (Save As / Save a Copy / CLI, #3401; also print and artboards-to-PDF) | No vector/text PDF, no multi-page save, no PDF presentation, layers are not preserved (FILE-215-10); read still missing (#2541) |
| Photoshop EPS, DCS 1.0/2.0, EPS TIFF/PICT preview | R/W | no | no | |
| Generic EPS / AI | R (rasterize) | no | no | |
| SVG | R (rasterize) | yes, as editable shape layers or a vector smart object | no | Better than Photoshop for editing; gradients approximated (FILE-215-9) |
| DNG (incl. LJPEG, lossy JPEG and JPEG XL tiles) | yes | 2026-10-13: lossy DNG (DNG 1.4 compression 34892: 8-bit baseline JPEG tiles or strips, CFA and LinearRaw, partial edge tiles) decodes to the stored samples, which go through LinearizationTable / BlackLevel / WhiteLevel (default 255) like every other depth; `crates/raw/tests/dng.rs``lossy_jpeg_*` (FILE-215-11, lossy DNG part; no lossy file in the raw corpus yet) |
| DirectDraw Surface `.dds` | yes | no | Top mip level of a 2D texture: uncompressed RGB, RGBA or luminance, BC1–BC3 (DXT1/3/5), legacy or DX10 header. Cubemaps, arrays, volumes and BC4–BC7 are refused (#1327). Photoshop needs a plug-in |
| Contours `.shc` | R/W | R/W | `psd/src/shc.rs`; Contour Editor Load…/Save… (FILE-215-15). No user contour library; not yet checked against a Photoshop-written file |
| 2026-10-14 | minor | PSD smart filter masks: Photoshop stores a smart object's filtered pixels without its filter mask and mixes the unfiltered ones (`FEid`) back in; import now mixes them and export writes them that way, so sf-filter-mask-hard, -gradient and sf-stack-blend-and-mask pass; Photoshop-oracle floor 185 → 188 of 258 |
| 2026-10-13 | minor | Lossy DNG (compression 34892) decodes: 8-bit baseline JPEG tiles and strips, CFA and LinearRaw, partial edge tiles; the stored values take the normal levels and LinearizationTable (FILE-215-11, lossy DNG part) |
| 2026-10-14 | minor | Corpus floors raised to the measured results of the CMYK, Lab, 32-bit, Levels, Threshold, Posterize, feather and pass-through fixes landed together: Photoshop-authored 165 → 185 of 258, io 146 → 148 of 170, psd-tools 242 → 249 of 309 |
| 2026-10-13 | minor | CMYK Hue/Saturation (not Colorize) and Color Balance work on C, M and Y as inverted RGB with black kept, on the inks for display, export and destructive edits; cmyk8/16 hue-saturation 100% → 0.4–0.7% bad pixels, color-balance 74% → 25% |
| 2026-10-13 | minor | CMYK Posterize works on the stored values (1 − ink), as Photoshop does: psd-tools posterize_cmyk passes (13.8 % → 0 of pixels off on the ink path); psd-tools floor → 242 of 309 |
| 2026-10-13 | minor | CMYK documents whose layers are plain raster layers plus Invert, Posterize, Threshold, Brightness/Contrast, Levels or Curves layers composite on their own inks for display, export and flattening: the cmyk8/16 oracles for those seven adjustments pass; Photoshop-oracle floor 151 → 165 of 258 |
| 2026-10-13 | minor | CMYK Threshold compares the Rec. 601 luma of the inks' plain complement, as Photoshop does (every pixel of cmyk8/16 threshold-128.psd); oracle bad pixels 1.6% → 0.2% |
| 2026-10-13 | minor | CMYK Brightness/Contrast (modern and legacy) curves each ink's stored value (1 − ink), exact on destructive edits; cmyk8/16 oracle bad pixels 71% → 48–57% (the RGB composite's separation still differs) |
| 2026-10-13 | minor | Modern Brightness/Contrast: the brightness curve refit to Photoshop, so the rgb and gray 8/16/32 brightness-contrast oracles pass; Photoshop-oracle floor 145 → 151 of 258 |
| 2026-10-13 | minor | Lab documents of plain layers with Invert, Posterize, Threshold, Brightness/Contrast or Lab Levels/Curves adjustment layers composite on the stored L, a, b instead of clipped display RGB, and flattening keeps them: lab16 invert, posterize-4, levels, curves and legacy Brightness/Contrast and lab8 invert and posterize-4 pass; Photoshop-oracle floor 145 → 152 of 258 |
| 2026-10-13 | minor | Levels round the gamma and output steps to whole levels too (8-bit), and the gamma above 1 starts along a toe of slope 2^gamma that joins the power curve: psd-tools levels_rgb and rgb8 stack-levels-curves-hue-posterize pass, rgb8/gray8 levels.psd exact; Photoshop-oracle floor 145 → 146 of 258, psd-tools 236 → 238 of 309 |
| 2026-10-13 | minor | 32-bit documents: legacy Brightness/Contrast, Channel Mixer, Photo Filter and the Black & White tint keep values above 1 and below 0 as Photoshop does (rgb32/gray32 brightness-contrast-legacy, rgb32 channel-mixer and black-white-tint pass); Photoshop-oracle floor 145 → 149 of 258 |
| 2026-10-13 | minor | Threshold splits on the luminosity 0.30 R + 0.59 G + 0.11 B of whole samples, as Photoshop does (8-bit: rounded to a level, halves down; 16-bit: against the level in 16 bits), not the Rec. 601 grey: psd-tools threshold_rgb and threshold_16bits_rgb pass; psd-tools floor → 241 of 309 (main 239) |
| 2026-10-13 | minor | A pass-through group that is the base of a clipping group and holds an adjustment layer renders isolated, as Photoshop does (its blend modes still reach the backdrop): psd-tools passthrough_clipping_mask_adjustment passes (was 50 % of pixels off); psd-tools floor → 240 of 309 (main 239) |
| 2026-10-13 | minor | 16-bit Posterize bins the 16-bit sample and lands on 8-bit levels through a 16-bit step, as Photoshop does (RGB, Grayscale and the CMYK/Lab channel path): psd-tools posterize_16bits_rgb and posterize_16bits_grayscale pass; psd-tools floor → 241 of 309 (main 239) |
| 2026-10-13 | minor | Gradient Map adjustment layers are driven by the W3C luminosity (0.3, 0.59, 0.11), not the Rec. 601 grey: rgb8 and rgb16 gradient-map.psd pass; Photoshop-oracle floor 145 → 147 of 258 |
| 2026-10-13 | minor | PSD: a "Saving Merged Transparency" global block (`Mtrn`, `Mt16`, `Mt32`; Photoshop's 32-bit documents keep a positive layer count) marks the merged image's first extra channel as its transparency: opening such a file no longer adds a "Transparency" alpha channel, and the oracle compares psd-tools transparentbg.psd's alpha (83.7 % → 0.9 % of pixels off; its shape edges remain) |
| 2026-10-12 | minor | CMYK Invert, Posterize and Threshold work on the inks and 16-bit Lab Invert mirrors a and b around neutral (oracle bad pixels: CMYK 71–77% → 9–10%, 37% → 1.6%; lab16 invert 52% → 1.2%); Photoshop-oracle floor 133 → 145 of 258 |
| 2026-10-11 | minor | PSD smart filters: Filter Gallery (`GEfc`) maps to `filter.filterGallery` when every effect is modelled (Chrome so far), editable from the Layers panel |
| 2026-10-11 | minor | PDF write now covers Save As / Save a Copy / CLI (`io::pdf::export`, #3401): one flattened RGB/Gray/CMYK page at the document's print size with the embedded profile. Read (#2541), multi-page save, PDF presentation, vector/text output still open