* Monitor profile: say which profile is in use and why; apply a late display reading (#569)
Color Settings › Monitor Profile used to fall back to sRGB without a
word when the display's profile was missing, unreadable, not RGB or
unusable as a destination, and dropped a macOS reading that took longer
than 2 s. `ColorState::monitor_status` now reports the profile actually
applied, its fingerprint, the source (auto / manual / fallback) and the
reason for a fallback. `edit.colorSettings` (`monitorStatus`),
Help › System Info and the Color Settings dialog show it, and a fallback
in auto posts a notice.
The macOS reader also names the display it read. On a dual-display Mac
it reports the menu-bar display ("Built-in Retina Display") while the
canvas is on the external monitor, which is the display-selection bug
in #569; following the window's display is the next step.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Monitor profile auto: each window uses the profile of the display it is on (#569)
The macOS reader now lists every display (id, name, frame, ICC profile
and its System Settings name) instead of asking for the "main screen",
which from a windowless helper is the menu-bar display. Each window
picks the display it overlaps most, as NSWindow.screen does, and its
canvas is shown in that display's profile: moving a window to another
display switches the profile without a restart, and two windows of one
document on different displays each keep their own. The GPU canvas
shares the document texture and keeps a display LUT per (document,
display); CPU textures are per (document, display).
Displays are read again when PhotoCraft comes back to the front (a
profile changed in System Settings or by a calibration tool), and when
a window is on an unknown display or one whose size changed (connected,
removed, rearranged), at most every 5 s. A failed re-read keeps the
previous reading. Help › System Info lists each display's profile.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Monitor profile auto: act on the r1 review; no periodic re-read (#569)
Following the owner's decision on echo round r1:
- No periodic discovery: a read costs about 0.2 s of CPU, and a profile
reassigned while PhotoCraft stays in front with no window moving
practically doesn't happen. It is picked up at the next return to the
front, or when Edit › Color Settings opens, which now reads at once.
- Every document window, not only the main one, asks for a reading when
it is on an unknown display or one whose size changed.
- The focus re-read is throttled to one per 30 s; a trigger inside that
window is deferred, not dropped.
- Starting a reading schedules the frame that applies its result, so an
idle window doesn't wait for unrelated input.
- The osascript helper is stopped after 10 s (killed and reaped, both
pipes drained meanwhile), so a hung reading can't block later ones.
- The Color Settings dialog recomputes "Monitor profile in use" as it
draws, and the status says when an earlier reading is kept after a
failed re-read (detection `retained`).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Monitor profile auto: document windows count for focus and wake the main window (#569)
Echo round r2 on #591:
- Coming back to PhotoCraft through a document window (macOS reports
focus per window, so the main window stays unfocused) now counts as a
return to the front and reads the displays again, within the 30 s
throttle.
- A document window that is on an unknown or resized display, or that
brings PhotoCraft back to the front, asks the main window for a frame:
the reading starts there, so it no longer waits for unrelated input.
One frame per trigger, no continuous repaints.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Monitor profile: pass the notice dismiss preference added on main
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* engine: display LUT without the 32-bit preview for the GPU canvas shader; keep values above 1.0 in texture_buffer
ColorState::gpu_canvas_lut leaves View > 32-bit Preview Options out of the display LUT
(the canvas shader applies exposure/gamma before it, on unclipped float texels), and
ColorState::hdr_preview returns the active preview. CanvasDisplay::texture_buffer no
longer clamps linear values to 1.0 before sRGB-encoding them (the 8-bit path clamps
afterwards with the same result).
Refs #46
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* GPU canvas: Rgba16Float display texture for 16/32-bit documents (#46)
16- and 32-bit documents get an Rgba16Float canvas texture when the adapter can
sample, filter, render to and copy it (Rgba8Unorm stays for 8-bit documents, as the
fallback, and for high-bit documents over 100 MP, about 1.07 GB with mips), so smooth
gradients no longer band through 8 bits. Both the wgpu compositor path (encode pass
with 16F pipelines; no upper clamp) and the CPU band/rect upload path (f32 -> half
conversion, reused band buffer) write it. The 32-bit preview (exposure/gamma) moves
into the canvas shader, before the colour-management/proof LUT, so values above 1.0
are exposed into range instead of clipped. GpuCanvas::read_texels / texture_info for
tests and benchmarks; PHOTOCRAFT_CANVAS_F16=0/1 disables the float canvas / ignores
the budget. large_image_bench gains --depth 16|32.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* CMYK documents display and export through their embedded CMYK profile
A thread-local CmykSpace (photocraft_color::convert::with_cmyk_space) replaces the built-in
coated CMYK while the CPU compositor, the GPU compositor's uploads and the PSD merged
composite convert a document's CMYK pixels; GPU residents track the profile they were
converted with.
Refs #46
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* EXR/HDR are linear: tag imports linear sRGB, linearise exports
Refs #46
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Colour-managed canvas: document profile -> monitor profile on GPU and CPU paths
* engine display_color: CanvasDisplay per (document profile, mode, monitor), identity fast
path when they match (sRGB on sRGB costs nothing); linear composites are stored
sRGB-encoded in the 8-bit texture. canvas_lut now always carries the CM transform, with
Proof Colors / Gamut Warning / 32-bit preview on top.
* GPU canvas applies the display LUT whenever the transform isn't the identity (also for
filter/proxy previews); the CPU canvas and Navigator transform the 8-bit composite.
* Edit > Color Settings > Monitor Profile (auto|built-in|.icc). macOS 'auto' reads the main
display's ICC profile at launch via osascript/AppKit (no unsafe); elsewhere sRGB.
* Tests: P3 (hand-computed), Adobe RGB, ProPhoto, Gray Gamma 2.2, synthetic CMYK, linear,
monitor setting; GPU+CPU canvas test via kittest (skips without Rgba32Float).
Fixes#46
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* io: tag EXR/HDR linear in import_flat (adapt to the shared image_to_document)
#65 moved flat decoding into image_to_document(name, img) so camera raws can reuse it; the
linear-EXR tagging needs the file bytes for format detection, so it now runs in import_flat.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
CI's `cargo fmt --all -- --check` has failed on every run because the
repo had no rustfmt config and was never formatted. Use the same settings
as EffectCraft/FilmCraft (max_width 160, use_small_heuristics Max), which
also keeps the churn small. Formatting only; no code changes.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
